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Cold Shower. Bridget Riley's paintings are nearly always made of such a formal unit-dot or stripe or ellipse-repeated and multiplied with tiny changes of position, tone or color. Through repetition, the force builds up. Then it peaks, like a laser emitting its stored energy in one...

Author: /time Magazine | Title: Art: Perilous Equilibrium | 11/16/1970 | See Source »

Passengers switches the emphasis from movement to space. Viola Farber is concerned with space in the same way the Bauhaus was concerned with space-the content of the painting had become secondary to the handling of forms. But Farber has added the dimension of comedy by a contradiction of her...

Author: By Meredith A. Palmer, | Title: Mind and Body Repertory Dance at the Loeb through Sunday | 10/9/1970 | See Source »

Barthel's claim provoked some scholarly skepticism, even though the onetime Wehrmacht cryptographer has shown skill at cracking ancient linguistic codes. Fifteen years ago, Barthel reported deciphering the so-called "talking boards" of Easter Island in the South Pacific. The Inca mystery was every bit as challenging. But he...

Author: /time Magazine | Title: Science: The Literate Incas | 8/17/1970 | See Source »

The pivotal character, Vittorio, is a millionaire running on the democratic socialist ticket. A moderate, pinned between his Maoist brother and his conservative sister; his campaign for an education post is a dolorous exercise. But the conflict is set only superficially in political terms. Bellocchio wrote that the film was...

Author: By Robert Crosby, | Title: At Emerson 105 China is Near | 7/31/1970 | See Source »

Copley's pictures are not intended to be seen as mere gags, of course. His adaptation of the bold black line and super-simple draftsmanship of the early comics predates Pop. Of late, he has developed bright geometric patterns as an effective foil for his figures. Neither as disturbing...

Author: /time Magazine | Title: Art: Hang-Up on Humor | 6/29/1970 | See Source »

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