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Word: georg (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...recording is a knockout, fully comparable to London's history-making Ring cycle. Conductor Georg Solti, today's top conductor of Wagner, makes the opera brilliant and unabashedly grand. As Venus, Mezzo-Soprano Christa Ludwig seethes with eroticism, suggesting a world of impossible sexuality. Soprano Helga Dernesch as Elisabeth, Wagner's virginal opposite to Venus, is the perfect embodiment of pinched Victorian purity. Best of all is Tenor René Kollo, a German pop singer metamorphosed into a Heldentenor, who sings Tannhäuser with a gleaming tone, power, and a dramatic force unequaled since Lauritz Melchior...

Author: /time Magazine | Title: Music: Rebirth of Venus | 1/10/1972 | See Source »

Furtwängler was totally different -a very Germanic, mystic type who managed to impose his almost religious view of music on the players. This resulted in absolutely superb performances too. During the '20s and '30s, Furtwängler and Toscanini were the greatest conductors. Now Georg Solti and Herbert von Karajan are the greatest, and in somewhat the same way, with Solti comparable to Toscanini and Karajan to Furtwangler...

Author: /time Magazine | Title: Music: The Parasitic Profession | 1/10/1972 | See Source »

...have guessed, it's the winner of the two--is also based on a single gimmick. But, in its case, the gimmick begs to be told. Premise is: Brindsley Miller, a mod young sculptor played with vigor by Pope Brock, is expecting a visit from Georg Bamberger (John Archibald again), richest man in the world (and not a little like Howard Hughes), who just might buy one of Brindsley's sculptures, thereby permitting the sculptor to marry his fiancee, whose father is also expected to drop in before evening's end--WHEN--the lights in the flat go out. Makes...

Author: By Gregg J. Kilday, | Title: Black Comedy and the Public Eye | 10/23/1971 | See Source »

Since Willy Brandt's Social Democrats won power two years ago, West Germany's Christian Democratic Union has been a party without a leader. Kurt Georg Kiesinger, 67, the defeated Chancellor, went into a deep sulk and was eventually talked into stepping down as party chairman. Franz Josef Strauss, 56, the burly, ultraconservative leader of the C.D.U.'s Bavarian wing, maneuvered on the sidelines. Meanwhile, Rainer Barzel, 47, took on the burden of leading the C.D.U. in the Bundestag...

Author: /time Magazine | Title: WEST GERMANY: Challenger with Two Hats | 10/18/1971 | See Source »

What is missing in the exhibit is the eccentricity of certain personalities such as Johannes Itten and Georg Muche who shaved their heads and dressed as monks, or Oskar Schlemmer's stage sets and ballets. Yet the imagination of Klee works, or even of a doll-house like representation of a Metal Exhibit (Joost Schmidt 1934) complete with boat propellers and model airplanes, shows the creative richness of the Bauhaus that encouraged a tradition in education as well as art. The Bauhaus brought art off its pedestal and seduced even the common Pygmalion; the Busch should bring such attractive nuisances...

Author: By Meredith A. Palmer, | Title: The Bauhaus at the Busch-Reisinger Museum | 6/14/1971 | See Source »

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