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...every major orchestra was a dedicated maestro's proudest castle. It no longer is." Where one castle used to suffice for a Toscanini or a Koussevitsky, now only two-or more-will do. Pierre Boulez now jets between the New York Philharmonic and London's BBC Symphony, Georg Solti between the Chicago Symphony and Orchestre de Paris, Zubin Mehta between the Los Angeles and Israel Philharmonics, Lorin Maazel between London's New Philharmonia and the Berlin Radio Orchestra; Maazel will also conduct the Cleveland Orchestra beginning next fall...

Author: /time Magazine | Title: Music: Two-Castle Man | 2/14/1972 | See Source »

...been destined to become a King, Frederik IX of Denmark might well have earned a measure of fame as an orchestra conductor. Trained as a pianist in his early years, he studied under the Danish Royal Opera's Conductor Georg Hoeberg. As Crown Prince, Frederik used to sit night after night in the Royal Theater, ready to take over the baton if his aging mentor should be taken ill. Later, he was frequently an incognito guest conductor of the state radio orchestra, without the knowledge of critics or radio audiences...

Author: /time Magazine | Title: DENMARK: The King Is Dead | 1/24/1972 | See Source »

...explanation of the truth. The transformation from fact to myth is endlessly fascinating. The battle of Achilles and Hector, for example, is symbolic, but there was a Trojan War in which great heroes fought. The psychological duel between Faust and the Devil is a philosophical and psychological metaphor, but Georg Faust, a German magician who was born about 1480, did live and did make claims to superhuman power, including the ability to restore the lost works of Plato and Aristotle and to repeat the miracles of Christ. Yet it was not until poets like Christopher Marlowe and Goethe took...

Author: /time Magazine | Title: Time Essay: The Need for New Myths | 1/17/1972 | See Source »

...recording is a knockout, fully comparable to London's history-making Ring cycle. Conductor Georg Solti, today's top conductor of Wagner, makes the opera brilliant and unabashedly grand. As Venus, Mezzo-Soprano Christa Ludwig seethes with eroticism, suggesting a world of impossible sexuality. Soprano Helga Dernesch as Elisabeth, Wagner's virginal opposite to Venus, is the perfect embodiment of pinched Victorian purity. Best of all is Tenor René Kollo, a German pop singer metamorphosed into a Heldentenor, who sings Tannhäuser with a gleaming tone, power, and a dramatic force unequaled since Lauritz Melchior...

Author: /time Magazine | Title: Music: Rebirth of Venus | 1/10/1972 | See Source »

Furtwängler was totally different -a very Germanic, mystic type who managed to impose his almost religious view of music on the players. This resulted in absolutely superb performances too. During the '20s and '30s, Furtwängler and Toscanini were the greatest conductors. Now Georg Solti and Herbert von Karajan are the greatest, and in somewhat the same way, with Solti comparable to Toscanini and Karajan to Furtwangler...

Author: /time Magazine | Title: Music: The Parasitic Profession | 1/10/1972 | See Source »

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