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...Georg B. Bartley...

Author: /time Magazine | Title: Letters, Dec. 27, 1976 | 12/27/1976 | See Source »

Wagner, Die Meistersinger: Baritone Norman Bailey, Tenor Rene Kollo, Soprano Hannelore Bode; Vienna Philharmonic, Vienna State Opera Chorus, Sir Georg Solti conducting (5 LPs, London). Baritone Dietrich Fischer-Dieskau, Tenor Placido Domingo, Soprano Catarina Ligendza; Chorus and Orchestra of the German Opera, Berlin, Eugen Jochum conducting (5 LPs, Deutsche Grammophon). Here are two performances-one extraordinary, one merely excellent-of an operatic marvel that over the years has proved difficult to commit to disc. The Solti is the more spacious and relaxed of the two; because of London's typically distant engineering, it also has a more homogenized sound...

Author: /time Magazine | Title: Music: Classic and Choice for Christmas | 12/20/1976 | See Source »

...contract. Three years later she surprised everybody by taking a season off to broaden her experience in Europe. There, in the spring of 1973, she scored a smashing success as Mozart's Cherubino in a new production of The Marriage of Figaro at the Paris Opera, with Sir Georg Solti conducting. Suddenly, she found herself an international star, and made a triumphant return to the Met-as Rosina in The Barber...

Author: /time Magazine | Title: Music: Von Stade: Forget the Magic | 12/13/1976 | See Source »

Among the three international superstars of conducting, Sir Georg Solti and Leonard Bernstein are almost overly familiar to audiences in the U.S. Herbert von Karajan is a more remote, elusive figure. In 1955 he was appointed conductor for life of the Berlin Philharmonic, one of the finest orchestras in the world. In the years since, he has exercised complete control over its rehearsals, working conditions, personnel and guest artists. Today he can say: "I cannot now blame anybody else for not getting the results I want. No excuses. If it's wrong, it's entirely my fault...

Author: /time Magazine | Title: Music: Karajan: A New Life | 11/29/1976 | See Source »

...Georg Solti, the Paris Opéra's principal guest conductor, led Mozart's The Marriage of Figaro. A light had been glaring in his eyes all evening and, leaning away to avoid it, he had already broken two batons. Then, early on in Act III, he stabbed himself in the temple with the point of his third baton. Blood poured down into his right eye, dripping onto the score and music desk. Onstage, Count Almaviva was alone, plotting revenge against his uppity manservant, Figaro. Solti went on beating time with his right hand and sopping...

Author: /time Magazine | Title: Music: The Opera Week That Was | 9/20/1976 | See Source »

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