Word: george
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WAGNER: DIE WALKURE (5 LPs; London). Following close upon last year's triumphant Gotterdammerung, London completes its new recordings of the complete Ring cycle with a wonderful Walkure. Conducting the Vienna Philharmonic, Georg Solti again heaps high all the sumptuous glories of the Wagnerian orchestra, at the same time charging every passage of Wotan's family fracas with drama. The lush and beautiful singing is alive with emotion, the stars being an international assemblage of accomplished artists: Birgit Nilsson as Briinnhilde, Regine Crespin as Sieglinde, Christa Ludwig as Fricka, and Hans Hotter as Wotan. Not quite so great...
...milestone of sorts. Into an austere caucus chamber in Bonn's Bundestag last week filed a delegation of Christian Democrats followed by a deputation from the opposition Social Democrat Party. With West Germany's political crisis entering its fourth week, Kurt Georg Kiesinger, the Christian Democrats' candidate for Chancellor, met with Socialist Leader Willy Brandt to discuss something that had never been tried before in the postwar period: a "grand coalition" between the red and the black...
...only guess at the events inside. Then, suddenly, a rhythmic wave of stamping feet told them that the Bundestag delegates of West Germany's ruling Christian Democratic Union had elected a new candidate for Chancellor. Moments later, C.D.U. backbenchers rushed out with the news: the man was Kurt Georg Kiesinger, 62, the silver-haired Minister President of the southwestern state of Baden-WUrttemberg...
Having seen several recent productions of Georg Buechner's cryptic drama Woyzeck, I still cannot understand the fascination it holds for young directors. Buechner died at 23 in 1837. He left behind, among other writings, a jumbled, partly illegible manuscript of an unfinished play based on the real-life case of Johann Christian Woyzeck, an army barber executed in 1824 for the murder of his mistress. The order of scenes in this manuscript is indeterminate; some scenes are mere fragments. The ending of the play is unclear. The dialogue in both the German original and most translations borders on psychotic...
...five acts are here, sung by an assemblage of stars: Renata Tebaldi, Carlo Bergonzi, Dietrich Fischer-Dieskau, Nicolai Ghiaurov and Grace Bumbry. Their voices often outshine their characterizations (though Bumbry is good as Eboli and Ghiaurov as Philip), and the solos are stronger than the ensembles. Conductor Georg Solti generally keeps rein on the sprawling tragedy, which unfolds with dark grandeur and erupts with fiery excitement in the auto da fe in the great Spanish square...