Word: georges
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Dates: during 1970-1979
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...Fourth, a genial pastoral masterpiece, has a flowing line rarely matched in current interpretations and an intimacy that, comes close to Bruno Walter's incomparable recording of the 1940s. The formidable Chicago Symphony sounds somewhat more relaxed than it often does under its regular leader, Sir Georg Sold, but it plays every bit as attentively...
...week there was a surprising change: Stravinsky's Rite of Spring led the list. Though revolutionary when first performed in 1913, the work is now a cliché of concert programming; 28 stereo versions are currently available. It seems likely that ragtime fell not to Stravinsky but to Georg Solti, who leads the Chicago Symphony Orchestra. Solti (TIME cover, May 7, 1973) has quietly become the most popular conductor since Toscanini. A Solti appearance is sold out at once anywhere in the world. His records are all top sellers; the Mahler: Symphony No. 5, released in 1970, has made...
...Georg Solti is playing my Variations for Orchestra with the Chicago Symphony. He decides to invite me, all expenses paid, to attend the concert. When does the telegram arrive? On the day of the concert. He is in Chicago; I am in New York, with classes to teach. What...
Berlioz: Symphonie Fantastique (Chicago Symphony Orchestra, Sir Georg Solti conducting; London, $6.98; Amsterdam Concertgebouw Orchestra, Colin Davis conducting; Philips, $7.98). One of the fantastic things about this symphony is the number of superior recorded performances it has had over the years. Argenta, Beecham, Munch, Van Beinum and Ozawa are among the many who have mastered this wildly prophetic score, completed in 1830, only three years after Beethoven's death. Here are two new versions, both by virtuoso conductors and virtuoso orchestras, that go to the top of the list. To choose between them is difficult. Davis' elegant approach...
Stravinsky: The Rite of Spring (Chicago Symphony Orchestra, Sir Georg Solti conducting; London, $6.98). Solti's way with Berlioz, Wagner, Mahler and Strauss stamps him as a Romantic and post-Romantic conductor without superior. This megatonic Rite now confirms his mastery of the contemporary idiom. Where Pierre Boulez etches in cold objectivity, Solti paints in swirling shapes and colors. The effect is electrifying...