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...architecture of Yale University has long been an enormous clutter of poorly integrated styles and hideous imitations, where Gothic halls are topped by Georgian towers, smoke-stacks disguised as medieval spires, and streets lined with Greek, Italian, Byzantine, and ancient Egyptian fakery. In recent years, however, Yale has begun what its enthusiasts consider a revolution in college building...

Author: By Russell B. Roberts, | Title: THE CHANGING ARCHITECTURE OF YALE | 5/14/1962 | See Source »

...execution of the college plan in New Haven was begun shortly after the house system was instituted in Cambridge. The Yale colleges were constructed in a monolithic, pseudo-Gothic style, even less original than Harvard's neo-Georgian style. The Gothic structures were added to a sizeable collection of buildings which represented virtually every major style in the last five centuries of Western architecture. Saarinen's first and most formidable challenge was to create a design which would be compatible with the surrounding environment, an architectural landscape unimagined in even the weirdest conjectures of the most perverted student of design...

Author: By Russell B. Roberts, | Title: THE CHANGING ARCHITECTURE OF YALE | 5/14/1962 | See Source »

...Moiseyev Company in 1958 (and again in 1961), the Beryozka Company in late 1958, the Bolshoi Ballet in 1959, the Georgian State Company in 1960, the Leningrad Kirov Ballet...

Author: /time Magazine | Title: Music: No. 6 for Sol | 5/4/1962 | See Source »

...poet greeted him with a cool and quizzical hello. But that first interview lasted until 4 o'clock in the morning, beginning in the living room-study of the poet's two-room flat, and going on in the kitchen over caviar, salmon, cheese and red Georgian wine...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 13, 1962 | 4/13/1962 | See Source »

...winding sheet of luminous Jamesian language. Nothing is clear; anything is possible; evil like a serpent glides unseen beneath each gliding sentence. In the film, necessarily, the spectral prose is replaced by spooky images and scary noises. Some of them are eerily effective: Sheffield Park, the gorgeously rotting old Georgian mansion in which the film was mostly made, is a demon's dream house, and Director Jack (Room at the Top} Clayton, sensitively seconded by Cameraman Freddie Frances, has filled every coign and corridor with a dangerous, intelligent darkness. Moreover, the main performances are most capably carried...

Author: /time Magazine | Title: Cinema: Evil Emanations | 1/5/1962 | See Source »

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