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Theoretician Gerard Debreu wins the Nobel Prize

Author: /time Magazine | Title: Nobel Prize Winner Gerard Debreu: An Economist's Economist | 10/31/1983 | See Source »

...thin book, just 114 pages long and studded with mathematical symbols, but it addressed one of the deepest and most nagging problems in economics Titled Theory of Value, the 1959 work made its author Gerard Debreu a revered figure among his colleagues. Last week the Royal Swedish Academy of Sciences extended Debreu's fame far beyond such professional confines. The academy announced that it was awarding the 1983 Nobel Prize in Economics to Debreu, 62, for three decades of distinguished achievement. The French-born professor of economics and mathematics at the University of California at Berkeley, a U.S. citizen...

Author: /time Magazine | Title: Nobel Prize Winner Gerard Debreu: An Economist's Economist | 10/31/1983 | See Source »

...State Sen. Gerard D'Amico (D-Worcester) proposed an amendment that would limit the ban on scholarship aid just to young men actually convicted of violating the federal Selective Service...

Author: NO WRITER ATTRIBUTED | Title: Draft/Aid Limit | 10/26/1983 | See Source »

What stands out on the film's surface is the irreconcilable contrast between the characters of Danton and Robespierre. The enormous, energetic, during Danton (Gerard Depardieu) stands worlds apart from the small meticulous, cautious Robespierre (Wojciech Pszoniak). Danton likes to drink and carouse; Robespierre is an asexual puritan. Yet more important than their personality quirts is what each man represents. Danton stands for mitigation, for human goals over abstractions. He controls for the moment public opinion. Robespierre ironically speaks for entrenched power for Spartan obedience to the revolution. He wields the machinery of the Terror. When these two Titans clash...

Author: By Seth A. Tucker, | Title: Tale of Two Cities | 10/19/1983 | See Source »

Literature that yearns toward the condition of music provides a more promising line of inquiry. Burgess explores lyric verse, the sprung rhythms of Gerard Manley Hopkins, the verbal polyphony of James Joyce. He envisions quasimusical novels built on principles of "structuralism, a liberation from marketplace meanings," and offers two of his own, M/Fand Napoleon Symphony, as exhibits...

Author: /time Magazine | Title: Books: True Vocation | 10/17/1983 | See Source »

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