Word: gere
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Dates: during 1990-1999
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...Richard Gere's Lancelot is a cheeky existentialist, Sean Connery's King Arthur is a temporizing leader for the Clinton era, and Julia Ormond's Guinevere is all up-to-date feminist spunk. The Camelot of Jerry Zucker's "First Knight," says TIME's Richard Schickel, is more a modern gated community than a myth-enshrouded, 6th century realm. And the great romance that was played out there -- legend's ur-Triangle -- comes across as not much more consequential than suburban adultery: "One can easily imagine Guinevere and Lancelot as Gwen and Lance, furtively smooching on the 18th tee during...
Least Attractively Photographed Beautiful People: Richard Gere and Julia Ormond in First Knight. As Lancelot and Guinevere, these two dishy stars look oddly washed out. Quick! Makeup...
...network of any consequence was MOD's playground. At first they used their powers for harmless high jinks: looking up the unlisted numbers of celebrities, pestering people they disliked (such as white supremacist Tom Metzgar and former Klansman David Duke) and calling the homes of people they admired (Richard Gere, Julia Roberts). But gradually, they began to trespass on more than just the telephone lines. With Phiber's help, the crew infiltrated the computer networks of TRW, Martin Marietta, the Bank of America, the National Security Agency and Chiquita Banana. At one point, two MOD members can be heard...
...Richard Gere and Cindy Crawford...
...Arab as Plutocrat. The gas lines of the '70s fueled the image of overpowerful sheiks, shifty in kaffiyehs and sunglasses, plotting the petrodollar domination of the world in grim melodramas like Marlon Brando's The Formula (1980), Richard Gere's Power and Jane Fonda's Rollover (1981). There is an ironic precedent for such pop paranoia: the anti-Semitic myth of the all-powerful...