Word: gere
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Dates: during 1990-1999
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...distancing herself from her modeling background. "I don't like modeling that much," she says. "It's been a great trip, but straight print modeling is so mindless." How far has the stock of modeling fallen? Kate Moss once dated Johnny Depp, and Cindy Crawford was married to Richard Gere; Romijn's husband is John Stamos...
...corporate experience. Weitzman says he left because the job became too administrative. "Steering a glacier," he says, "is not easy." Platt was ousted because he clashed with studio chairman Casey Silver. It was Silver, not Platt, who approved a slew of underperforming films, such as the Bruce Willis-Richard Gere vehicle The Jackal and the political dud Primary Colors. Silver, whose contract has been renewed, says he can turn the studio around: "We have excellent product in the pipeline. I couldn't be more confident...
...floor of London dance clubs. This has led to the unlikely sight of a "simple monk" (as he always calls himself)--born and raised in a culture that had scarcely seen a Westerner when the century began--now seeming as visible, and even as fashionable, a figure as Richard Gere. John Cleese speaks out for him in London, Henri Cartier-Bresson records his teachings around France, Adam Yauch of the Beastie Boys interviews him in Rome for Rolling Stone. In the past few years he has opened 11 Offices of Tibet, everywhere from Canberra to Moscow, and last year alone...
Director Michael Caton-Jones presents a confused jumble of bad accents, loud music, stale techno-babble and Richard Gere in a lifeless remake of the 1973 hit The Day of the Jackal. Traveling by minivan and rotating hair colors faster than Dennis Rodman, the Jackal (Bruce Willis) stalks a mystery target while the FBI scrambles to catch up with him, using the expertise of Gere's former IRA terrorist Declan Mulqueen. When Mulqueen and the Jackal finally meet, sparks fly and a gay kiss occurs. OK, not really, but it sure would have made this dopey flick a lot more...
Director Michael Caton-Jones has created a confused jumble of bad accents, loud music, stale techno-babble and Richard Gere in a lifeless remake of the 1973 hit The Day of the Jackal. Traveling by minivan and rotating haircolors faster than Dennis Rodman, The Jackal (Bruce Willis) stalks a mystery target while the FBI scrambles to catch up with him, using the expertise of former IRA terrorist Declan Mulqueen (Richard Gere). When Mulqueen and Jackal finally meet, sparks fly...and a gay kiss occurs. OK, not really, but it sure would make this dopey flick a lot more interesting...