Word: gergiev
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...theatrical organism. It is not like some other theaters where one man decides everything," says spokeswoman Novikova, making a reference to the Mariinsky Theater in St. Petersburg, which has grown to outshine the Bolshoi under the strong - some say autocratic - hand of artistic director and conductor Valery Gergiev. "In the Bolshoi, we have a structure where everyone has their own responsibility and makes their own decisions." (See pictures of the Bolshevik October Revolution...
...principal guest conductor at New York's Metropolitan Opera House for the past decade, maestro Valery Gergiev of the Kirov Opera, part of the Mariinsky Theater in St. Petersburg, has developed a group of admirers worldwide for the epic Russian operas he has resurrected. Gergiev was scheduled to take the stage at the Met this past Christmas, but then Beijing called. The Chinese wanted him to conduct the opening opera in their country's highest palace of performance, the $40 million National Center for the Performing Arts, which is often referred to by its former name, the National Grand Theater...
...Gergiev and hundreds of singers and musicians (and two horses) were flown in from the Mariinsky Theater. And on Christmas night, they presented Alexander Borodin's classic opera Prince Igor on a world-class stage - alas, to an audience that appeared to pay little attention...
...Gergiev was great, the performance was immaculate, and the acoustic effect of the theater is truly amazing," says Liu Xuefeng, a music critic and editor at the Chinese publication Opera and the Chinese-language edition of Gramophone. But the hall was filled with more than music. "I could hear every word from the stage as well as from my fellow audience members 10 seats away from me," says Liu. "Chattering, eating, children crying, camera flashes going off here and there - it was the worst audience I have ever seen." By the end of the opera, only 60% of the full...
...Gergiev was great, the performance was immaculate, and the acoustic effect of the theatre is truly amazing," says Liu Xuefeng, a music critic and editor of the Chinese edition of Gramophone, the British classical music magazine. But there was a downside to the perfect sound system. "I could hear every word from the stage as well as from my fellow audience members ten seats away from me," says Liu. "Chattering, eating, children crying, camera flashes going off here and there... It was the worst audience I have ever seen!" The four-hour opera had already been shortened to slightly over...