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...principal guest conductor at the Metropolitan Opera House for the past decade, Maestro Valery Gergiev of the Kirov Opera has developed a global group of admirers for the epic Russian operas he has resurrected. Indeed, Gergiev was scheduled to take the stage at the Met this Christmas, but then Beijing called. They wanted him to open the first performance season of China's highest palace of performance, the $40 million National Grand Theater, better known in Beijing by its shape, as the "egg." The building, designed by the French architect Paul Andreu, is a gleaming dome with a subtle ying...

Author: /time Magazine | Title: Inside China's Incredible Audible Egg | 12/28/2007 | See Source »

...artist could decline the invitation. Gergiev and hundreds of singers and musicians (and two horses) were flown in from the Mariinsky Theater in St. Petersburg. And on Christmas night, they presented Alexander Borodin's classic opera Prince Igor on a world-class stage - alas, to an audience that paid little attention...

Author: /time Magazine | Title: Inside China's Incredible Audible Egg | 12/28/2007 | See Source »

...VALERY GERGIEV/KIROV ORCHESTRA The Rite of Spring (Philips) Igor Stravinsky's clamorous ballet score has now received a quintessentially Russian recording: violent, brazen, full of all the blunt power of passionate peasant ritual. Gergiev has been making a big impression as principal guest conductor of New York City's Metropolitan Opera, and this CD leaves no doubt...

Author: /time Magazine | Title: The Best and Worst of 2001: Music | 12/24/2001 | See Source »

...Valery Gergiev/Kirov Orchestra The Rite of Spring (Philips) Igor Stravinsky's clamorous ballet score has now received a quintessentially Russian recording: violent, brazen, full of all the blunt power of passionate peasant ritual. Gergiev has been making a big impression as principal guest conductor of New York City's Metropolitan Opera, and this CD leaves no doubt...

Author: /time Magazine | Title: Music | 12/24/2001 | See Source »

Musicians are not CDs; they await cues, tempos, phrasing instructions and a host of interpretative intangibles from the guy who's waving a baton at them. If Kaplan at Salzburg did not bring to mind a slick stick like Riccardo Muti or Valery Gergiev, his intense, attentive manner in front of the Philharmonia, the Vienna State Opera Chorus, mezzo-soprano Doris Soffel and soprano Rosa Mannion bespoke a firm grasp. Mahler's heaven-storming climaxes shook the Grossesfestspielhaus to its granite foundations, and anyone who did not feel a chill at the tremendous peroration must either have been dead...

Author: /time Magazine | Title: MUSIC: MAD ABOUT MAHLER | 8/5/1996 | See Source »

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