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...core, “Semele” is a familiar story—men will say anything for sex. In this case, the man (or god) is Jupiter (Joshua Taylor), the king of the gods, and the focus is on his affair with Semele (Kathy D. Gerlach ’07, GSAS ’13), a mortal. At the guileful behest of Jupiter’s divine consort, Juno (Stephanie Kacoyanis), Semele withholds intimacy until Jupiter promises to give her immortality and show her his true form, a move which ultimately kills...

Author: By Marissa A. Glynias, CRIMSON STAFF WRITER | Title: ‘Semele’ Succeeds in Making Opera Feel Modern | 10/26/2009 | See Source »

...single weak link. Each member displays a mastery of his or her part, with almost flawless singing and acting. This is even more to their credit in light of the diversity of experience levels throughout, from debuting actress Guarino in a stand-out performance, to operatic veterans such as Gerlach and Taylor...

Author: By Marissa A. Glynias, CRIMSON STAFF WRITER | Title: ‘Semele’ Succeeds in Making Opera Feel Modern | 10/26/2009 | See Source »

...Republican side, Specter's departure could leave an opening for a less conservative candidate to challenge Toomey in the primary. Speculation has centered on two powerful figures - former U.S. Attorney Pat Meehan, who has been running for governor, and Representative Jim Gerlach, who has signaled he might be interested in leaving the House for statewide office. Meehan issued a statement on Tuesday saying he was "disappointed" in Specter's decision to leave. "I see opportunity and hope in Pennsylvania's future and want to fight within the party to bring discipline to government spending and restraint to taxation," he wrote...

Author: /time Magazine | Title: Pennsylvania Democrats Reserved on Specter | 4/29/2009 | See Source »

...this opera, as the main characters—Kapusta’s Figaro; his lover Susanna, played by Winnie L. Nip ’08; the Count and the Countess Almaviva, portrayed by James B. Onstad ’09 and Katrin D. “Kathy” Gerlach ’07; and Marcellina and Bartolo, played by Anne E. “Annie” Levine ’08 and Jonathan M. Roberts ’09—mix and match, first to seek vengeance against those who have cheated on them, and second...

Author: By Alina Voronov, CONTRIBUTING WRITER | Title: A Fanciful "Marriage of Figaro" | 2/11/2007 | See Source »

...stretch for the first two cantatas, the parallel between myth and modern life was seamless by the end. The first cantata, “Orphée,” told the story of Orpheus’s journey to the underworld to rescue his wife, Eurydice. Kathy D. Gerlach ’07, who sang the part of several characters including Eurydice and Pluto, captured the tragic nature of the story. By definition, cantatas feature only one or two performers who are accompanied by a small orchestra. Gerlach was the only performer singing and when she switched roles...

Author: By Jessica X.Y. Rothenberg, CONTRIBUTING WRITER | Title: 18th Century Cantatas Morphed for Modern Crowd | 11/19/2006 | See Source »

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