Word: german
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Dates: during 1960-1969
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Behind Europe's hopeful new mood is West German Chancellor Willy Brandt, who took office last month. As Foreign Minister in the old Grand Coalition of Christian Democrats and Socialists, Brandt had argued since 1966 that West Germany should attempt to normalize its relations with Iron Curtain nations. As Chancellor, he can now press his ideas even more vigorously than before. He is eager to increase trade, travel and communication agreements and establish normal diplomatic relations with Eastern European governments, which Bonn snubbed for years. Moreover, as proof of his realistic approach, he is believed ready to renounce Germany...
...inaugural address a "step forward." The Polish trade mission to West Germany has also started bargaining for an economic agreement that goes far beyond any deal previously negotiated by an East Bloc nation with the West. Totaling nearly $1 billion, the deal would give Poland access to West German credit, production licenses, patents and marketing procedure in return for Polish agricultural products, which are priced far below the West European level...
Seated in a Baroque armchair in his elegant office in Palais Schaumburg, West German Chancellor Willy Brandt last week described his vision of a "new Germany" in an interview with Benjamin Gate, TIME's Bureau Chief in Bonn. The Chancellor spoke in fluent hut slightly stiff English, smoking cigarettes and rolling wooden matches between his fingers while he pondered his answers...
...German art lovers, the greatest curiosity was the St. Barbara altarpiece from Finland's National Museum in Helsinki-Meister Francke's earliest known work. Its eight richly painted panels sum up the characteristic ambiguities of Meister Francke's style. In The Flagellation of St. Barbara, the brutal, peasant faces and awkward, potbellied figures of Barbara's tormentors foreshadow the popular style of Bruegel or Bosch-though neither painter had been born when they were painted. By contrast, nothing could be more courtly than the boneless sinuosity of Barbara's figure, the vapid sweetness...
...group of Hamburg merchants trading with England. The nine panels of this darkly glowing work depict episodes in the life of Thomas à Becket, together with scenes from the Passion of Christ and the life of the Virgin, achieving a peak of dramatic intensity hitherto unrealized in North German painting. In The Martyrdom of St. Thomas, the kneeling archbishop half turns toward his attackers. Blood streams down his forehead and splashes onto his white cassock; his miter rolls away across the tile floor. The decorative flatness of Thomas' cope and the star-spangled, scarlet sky are in striking contrast...