Word: german
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Dates: during 1960-1969
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...funds have been recently interfered with, if not frozen, keeping representatives of the University of California from attending the recent national College Art Association meetings, unless they paid their own way. A segment of one campus newspaper has been suspended for publishing a nude by the early twentieth century German artist George Grosez, a drawing which has been previously published in books about the artist...
Since then, Fairchild Hillers sales have climbed from $115 million to $210 million for 1966. Along with the F-228, the company is engaged as a major subcontractor on the McDonnell F4, the Boeing 747, the SST, and it is working with West German designers on what could be a multibillion-dollar verticaltakeoff and landing aircraft. With such projects under way, Fairchild President Edward G. Uhl's forecast of doubled sales within the next six years seems somewhat conservative...
...cluster of five hamlets, two of which were conveniently classified as "depressed areas." There he is setting up prefabricated factories and warehouses for sale to firms attracted by the benefits given to depressed areas: ten-year freedom from taxes, plus cheap 5% government loans. So far 112 firms, German, Dutch and Swiss as well as Italian, have begun turning out products ranging from ceramics to motorcycles...
...villain, O'Toole exhibits the now celebrated twitching lip and glazed stare that some viewers have seen too often-when he played Lawrence of Arabia, Lord Jim, and Becket's king. Omar Sharif, an Egyptian by birth, is German only by permission of the makeup and wardrobe departments, which have vainly tried to Teutonize him with severe pencil lines around the mouth and a crisp military tunic. Only Donald Pleasence, playing one of the generals who stays one jump ahead of the Sharif, infuses his role with a fresh mixture of blood and irony...
...cliché-ridden script nor its miscast stars, but the gemütlich approach of Director Anatole Litvak. The slick editing and the bright, bold colors seem less to polish the picture than to varnish it, and they cannot cover the film's faults. The waifs of German-occupied Warsaw are too plump and well padded, the armies seem too clean and well mannered. And the officers are too self-consciously symbolic of Germany's decadence and decency, grossness and grace. Somewhere beneath it all is a plausible plot and a powerful picture gone wrong...