Word: german
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Dates: during 1960-1969
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...Polish program on another station, and no one is a more assiduous attender of parades and anniversary celebrations. Two years ago, Pucinski won handily with a 31,500 majority. This year he barely squeaked past a candidate of no particular distinction named John Hoellen, of vaguely German extraction, whose appeal was his all-out opposition to open housing...
...doctrines. Speaking to a rally of young party members, Kiesinger allowed that "the establishment of good relations with our neighbors to the east is an obvious necessity." And Franz Josef Strauss, the powerful boss of the party's Bavarian branch, publicly backed away from his insistence on West German participation in a NATO nuclear strike force, thus opening the way for a more conciliatory policy toward the East...
...trend is the surprising surge of lower-tagged imports, which are racing 27% ahead of last year and should easily crack the record of 614,000 sold in 1959. In the first nine months of 1966, Volkswagen spurted from 277,000 sales to 308,000, while G.M.'s "German Opel climbed from fifth place to second among imports, with sales of 25,000, followed by Sweden's Volvo, Britain's MG and Japan's Datsun. The Japanese cars are rising fast: Toyota is now the second best-selling import in California, where the Japanese are driving...
French industry is atomized into countless small, family-owned firms, whose self-satisfied owners are often reluctant to risk expansion or spend for modernization. Of the 30 biggest industrial companies outside the U.S., twelve are German, ten British, but only two are French (Renault and Rhône-Poulenc). Expansion capital is hard to come by. Frenchmen are wary of investing, often prefer to sock their savings into real estate and gold. They have seen too many investments demolished by wars and inflations, and their fears have hardly been allayed by the 40% plunge in the French stock market since...
...drastically disorganized war movie ever made. For one thing, the script, adapted by Gore Vidal and F. F. Coppola from last year's bestselling piece of pop history by Larry Collins and Dominique Lapierre, tries to tell the story from about 60 points of view at once-some German, some American, some Free French, some Vichy French, some utterly unidentifiable. The result is a 161-minute non sequitur in which the spectator is shrapnel-splattered by bit parts and bitty scenes until he can't for the life of him figure out who's who or what...