Word: german
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Dates: during 1970-1979
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...whole Ostpolitik of seeking peaceful relations with the East would be in jeopardy. Calling the missile issue "literally a touchstone," the Soviet news agency TASS warned that Bonn's inclination to go along with the NATO plan was in "clear conflict with the officially declared objectives of the German Federal Republic's foreign policy...
...color. He even carried it into the pages of Mein Kampf. Although Schoenberg and other Jewish colleagues were ostracized, although his own music was denounced by the Nazis as ''cultural Bolshevism,''Webern stuck it out in Austria, transfixed by the ideal of a triumphant German culture. This decision led indirectly to his bizarre death in 1945, shortly after the end of World War II. Visiting his son-in-law in the town of Mittersill, he was somehow shot during a botched black-market raid being carried out by American G.I.s...
...composer who is perceived as an epochal innovator, Webern never saw himself in opposition to the Austro-German musical tradition that extends from Bach through Mahler. To his composition students he held up Beethoven's sonatas as the supreme models of craftsmanship. The Columbia LPs conclude with a 1932 recording of him conducting his own orchestration of some Schubert dances-a gesture of homage that was not unusual for him. What passed for classicism in his own day, he wrote in one of the letters quoted by the Moldenhauers, ''emulates the style without knowing its meaning . . . whereas...
...best position to evaluate the work of a promising newcomer. Nor do teachers and students communicate as easily as they do in the U.S., where there is a give and take between the generations. Says Professor Heinz Maier-Leibnitz, president of the West German Research Society: "In America, you have to be different to be accepted. West German scientists are not very original. They don't take risks. They watch what the others are doing, and in the end they all march in the same direction...
...Pierre Bernac, 80, French baritone who performed with the late composer-pianist Francis Poulenc for 25 years; of heart disease; in Villeneuve-lès-Avignon, France. Though best known for his interpretations of Poulenc art songs and other French vocal music, Bernac was also at home in the German and English repertory. Bernac, praised more for his technique and interpretative grace than for his voice, stopped performing in 1960 and concentrated on training singers in Europe and America...