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Word: german (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Paul Verhoeven's Black Book is simultaneously a sexually charged, non-stop action movie about the Dutch resistance to German occupation in World War II and a bleak examination of the often morally dubious activities of the underground. Not all of the Germans are brutes; many of the oppressed are betrayers of their cause. It may be the most honest - and certainly the most exciting - movie about the secret war ever made. It also represents a comeback for Verhoeven, who left his native Holland in the mid-1980s for Hollywood, where he made big budget sci-fi movies like Starship...

Author: /time Magazine | Title: Q&A with Paul Verhoeven | 4/5/2007 | See Source »

...said that experiencing as a child the German occupation shaped you as a filmmaker...

Author: /time Magazine | Title: Q&A with Paul Verhoeven | 4/5/2007 | See Source »

Ryan, the Weary professor of German and comparative literature, said that she still had the impression that humanities departments at Harvard were smaller than their counterparts at peer institutions, and, as a result, professors’ time was stretched thin...

Author: By Carolyn F. Gaebler, CRIMSON STAFF WRITER | Title: Sciences To Fuel Faculty Growth | 4/3/2007 | See Source »

...wrote in a 1991 TIME tribute, Loesser was born into an educated German-Jewish family that prized classical music; his father was a piano teacher, his brother Arthur a keyboard prodigy and later a professor at the Cleveland Institute of Music. To the Loessers, popular music was infra dig, but Frank loved it. Like the cantor's son in The Jazz Singer, or pert Owl Jolson in the Tex Avery cartoon I Love to Sing-a, he had to battle his family's resistance to mainstream pop. Indeed, Loesser's nearly operatic score for The Most Happy Fella might have...

Author: /time Magazine | Title: When Betty Got Frank | 3/31/2007 | See Source »

...Rogers trademark. In that, he was an original, but also a great synthesizer. He drew inspiration from the engineering-as-architecture of London's 19th-century Crystal Palace, a place as stripped down and functional as a suspension bridge, but also from the Expressionism of Erich Mendelsohn, the German architect who brought a sensual component to Modernism. What Rogers arrived at was a way to make high tech not just lucid but surprising. Modernism expelled applied ornament. But by making an explosive aesthetic use of the raw, unadorned elements of a building, Rogers showed that, all by itself, the elemental...

Author: /time Magazine | Title: Turning Buildings Inside Out | 3/29/2007 | See Source »

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