Word: germanic
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Dates: during 1940-1949
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...Vienna rooming house, four years ago, an obscure German citizen named Wilhelm Kaiser died, unmourned by anyone except his landlady. That kindly soul, Frau Amalie Feix, had nursed Kaiser during his illness, had paid hospital and funeral bills. The only valuables he had left behind were three rings. These, Frau Feix thought, rightly belonged to her. She hoped to sell them to make up for her expenses. Frau Feix, however, ran smack up against the Big Four...
...Potsdam conferees had decided that German assets in Eastern Austria could be seized by Russia for reparations. For two years, the Deputies of the Big Four Foreign Ministers have been deadlocked on the question of precisely what constitutes German assets; the Russians, for example, include in their definition properties which the Nazis seized from the Austrians after the Anschluss. The Big Four might interminably haggle over half a billion dollars' worth of factories, oilfields and Danube River shipping, but all the competent authorities were agreed on one fact: Herr Kaiser's three rings seemed to be German assets...
...German title, Fliege mit Mir in die Heimat (Fly with me to the home-land), and a man named Franz Winkler was listed as its composer. Some thought it came from an old German folk song. Whatever its origin, it had become a D.P. song and had swung through the concentration camps after the war. Last week, Fliege mit Mir, dolled up with new lyrics and a new name, Forever and Ever, was flying near the top of the U.S. hit parade...
Late last year, London Records found its German-language recording selling like hot cakes, decided it would sell even faster in English. Lyricist Malia Rosa, who is also May Singhi ("Ukulele Lady") Breen and Mrs. Peter (Deep Purple) De Rose, thought up simple words to match the simple tune ("Forever and ever, My heart will be true," etc.). Gracie Fields recorded it first, then Dinah Shore, Perry Como and Margaret Whiting, and within days it was a hit. Malia Rosa's explanation: "It's down to earth; it reeks with sincerity...
Nineteen years ago, in a thundering book called Universities: American, English, German, learned Abraham Flexner, then director of the Institute for Advanced Study at Princeton, N J., roundly damned U.S. colleges. With all their "wretched claptrap" of vocationalism, he held, "they resemble the modern drugstore in which the pharmacy has been pushed in the corner by soda fountains." Last week, at 82, Educator Flexner announced a modified opinion: "There must have been changes in educational methods." His reason for thinking so: for two years he had quietly been taking courses in English literature and the fine arts at Columbia...