Word: germanic
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Dates: during 1990-1999
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...reinvented the brand as an economy line of cars for young families, branding it with the slogan "One Clever Idea After Another." At the same time, Plymouth's mid-sized Breeze sedan and the Voyager minivan received enthusiastic reviews from automotive magazines. But last year, after Chrysler merged with German auto giant Daimler-Benz, the company began to phase out Plymouth, first cutting off sales to Canada and then removing it from Chrysler's marketing schemes. Finally, after sales dropped 30 percent this year, DaimlerChrysler tolled the death knell on the line altogether...
...rest of the world. Rovers are commonplace in Britain, but they are seen as classy foreign imports in Southern Europe. There is not even pan-European agreement on what constitutes quality. A T shirt made from a cotton-polyester blend may suit a British shopper, but French and German consumers want 100% cotton T shirts only, please. Licensing executive Gianfranco Mari, head of the agency DIC 2 in Milan, underlines that "what sells in Italy may not sell in France." Then there is the tangle of various legal requirements and trademark laws in each nation, which the European Union...
...find Marechal, Boeldieu, Rosenthal (Marcel Dialio), a Jewish couturier, and Cartier (Julien Carette), a music hall performer comfortable in a beautiful German setting. When the camera pans, Tudor manors and a sweeping countryside grace the vista. Similarly, while the camp is a POW camp, the prisoners are fed, exercised and treated reasonably well...
...Renoir asks us to make the philosophical jump to acknowledge that capture of any form is contrary to the human spirit. His mission fails, especially after the four are transferred to a tighter security prison in the heart of Germany. The prison is a fabulous castle placed in the German countryside. The train-ride through the European backwoods creates nostalgia for the innocence and beauty Europe held before World War II. Claude Renoir, the cameraperson for this film, does an excellent job capturing a sense of movement and depth, especially given the crude technology he had at his disposal...
...Originally the Museum of Germanic Art, the Busch-Reisinger has accumulated over the past century an impressive holding of post-1880 German art with a particular emphasis on German Expressionism. The stark curation and sparing use of didactic wall texts are appropriately austere, boldly offsetting the colorful effusiveness of Gerhard Richter and the restrained hysteria of Max Beckmann. Also notable is a series of Bauhaus paintings (including works by Malevich and El Lissitsky), a pair of Jawlensky portraits, and an unusual Klimt. Currently on display is a collection of works by Hannah Darboven, touted by the curatorial staff...