Word: germanism
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...decision to back out of the sale of its European operations this week was a huge embarrassment for German Chancellor Angela Merkel. She had thrown her weight behind the bid by the Canadian-Austrian car-parts maker Magna and its Russian partner, Sberbank, to buy Opel and Vauxhall from the beginning, seeing it as the best way to save German jobs and offering both sides billions of dollars in loan guarantees to grease the wheels. Before GM made its sudden U-turn on Nov. 3, Merkel had also been riding high. She was coming off an electoral victory in September...
...taken the debate a step further, implying that minarets pose a danger to Swiss society by likening them to missiles in the posters. "Everybody understands the message expressed by these posters," SVP member Ulrich Schluehr told the German broadcaster Deutsche Welle in an interview last week. "That's why the opponents of a ban are against the poster and want to forbid it. They want to oppress free discussion - a strength of Switzerland." Ouardiri dismisses the SVP's arguments as "bold-faced lies." "How can an architectural feature like a minaret be perceived as a threat?" he asks...
...surf onto Sword Beach under rifle and mortar fire playing "Highland Laddie." And Beevor focuses on things other writers have neglected. For example, he doesn't gloss over the hideous costs paid by French civilians. The Allies, before liberating them, bombed them relentlessly in an attempt to paralyze the German army. Three thousand French civilians died during the first 24 hours of D-day. That's twice the number of American soldiers who died...
...many of the German soldiers truly believed that the very existence of Germany - and therefore civilization itself - was at stake, and they fought with fanatic zeal. Unable to land a decisive blow, the two sides settled into a ghastly war of attrition that ate men and machines while giving back little in the way of actual territorial gains...
...invited to witness the playacting of inmates and our own theatre-going selves, who watch both the play itself and the intellectuals’ reaction to it. This idea of surveillance and reaction comes from the text—Weiss was influenced by the theories of Bertolt Brecht, a German playwright who believed in politicizing theater by highlighting its artificiality—and Leaf uses it fully...