Word: germanizing
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Dates: during 1960-1969
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...Bitter Aftertaste," the title of TIME'S gloss on student unrest in Germany [April 26], describes what at least one German conservative had in his mouth after reading it. You assert that the students had "found neither violence so romantic nor West German society so weak as they had imagined." What evidence is there that they had imagined violence to be romantic-a few months after one of them had been shot in Berlin? I see diverse ingredients in our students' attitude toward violence. Of romanticism I see no trace. Also: Is society's strength measured...
...months won 60 seats in state parliaments, has already done serious harm to West Germany. The Soviet Union uses the specter of a new Hitler as a pretext for blocking West Germany's attempts to bring about a reconciliation with the East bloc. Walter Ulbricht's East German regime has cited the Nazi danger as an excuse for tampering with Allied guarantees of access to West Berlin. At home, though the National Democrats poll only a relatively small percentage of votes, they stir up trouble out of proportion to their numbers because of the nervous condition...
...sincerity is tremendous. He shows his Maoist leanings symbolically: the tiny bourgeois Scotch terrior seen playing throughout the film is in the end dwarfed by the powerful German shepherds the Maoists use to break up a Socialist meeting. When we finally see Carlos, it takes no great subtlety to wonder who is leading who. The bourgeois takes inventory of his books, and The History of China is followed by The Hope of Italy...
...riot ended nearly two hours later, at 11:20 p.m. when Cambridge Police brought out a great big unmuzzled German Shepherd, who growled and bared his teeth and scared everyone away. The rioters were at Lesley College then, and things were getting a little out of hand. Someone broke two windows on the second floor of Lesley's White Hall...
Died. Rudolph Dirks, 91, German-born artist and creator of those comic-strip delinquents The Katzenjammer Kids; in Manhattan. Starting with the old New York Journal in 1897, Dirks was the first to use balloons to enclose dialogue, first to plot a story in consecutive panels, and one of the first to use color. Today his strip (now known as The Captain and the Kids and drawn by his son John) is syndicated in 96 U.S. and 20 foreign papers...