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Word: germi (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Noiret also shows up in MY FRIENDS, a film begun by the witty, raucous Pietro Germi (Divorce-Italian Style), who collaborated on the script but died after hardly a week of filming in 1974, at the age of 60. Mario Monicelli (Big Deal on Madonna Street) completed the movie, which, unfortunately, does little credit to anyone. My Friends concerns the infrequently amusing forays of a group of five stalwarts (Noiret, Ugo Tognazzi, Gastone Moshin, Duilio Del Prete, Adolfo Celi) who break out of their conventional, half-failing lives to have a little fun. This usually involves playing practical jokes-such...

Author: /time Magazine | Title: Cinema: Imported Variety | 9/13/1976 | See Source »

...Died. Pietro Germi, 60, Italian film director (Divorce-Italian Style; Seduced and Abandoned; Alfredo, Alfredo); of liver disease; in Rome. Germi's Academy Award-winning Divorzio in 1961 was the first of a series of films that marked him as a superb tragicomedian who manufactured social slapstick from the hypocrisies of Italian...

Author: /time Magazine | Title: Milestones, Dec. 16, 1974 | 12/16/1974 | See Source »

...movie, which is divertingly diabolical, is the work of Pietro Germi, who once again (as in Divorce, Italian Style) makes social slapstick out of Italian law. Hoffman appears as a shy bank clerk whose beautiful wife (Stefania Sandrelli) floods him with killing affection. She is an embarrassment at the table, where she delights in sucking fish heads, and in bed, where she screams like an air-raid siren during orgasm. Months of this kind of married life, plus a hysterical pregnancy and intrusive in-laws, are enough to drive Hoffman into the arms of another woman (Carla Gravina). Hoffman...

Author: /time Magazine | Title: Cinema: Quick Cuts | 1/7/1974 | See Source »

...Germi indicts not only monolithic Italian marriage laws-most of the movie consists of flashbacks to the period be fore divorce became legal in Italy-but also marriage itself. The trouble with it, according to Germi, is mostly women. That is the trouble with the movie, too, in a way. It is constructed around a sour, myopic kind of misogyny, not quite deft or witty enough to cut through the un pleasant taste of bile...

Author: /time Magazine | Title: Cinema: Quick Cuts | 1/7/1974 | See Source »

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