Word: germont
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...awakening emotion in the first act to the flexible, bitter-sweet lyricism of the last, Tebaldi superbly defined Violetta's stirrings and renunciation; moreover, she avoided flawing the role with more than the necessary touches of sentimentality and melodrama. Baritone Leonard Warren was splendid as a resonant-voiced Germont. As Alfredo, Tenor Giuseppe Cam-pora had neither enough power nor presence to hold the stage, but to appear with Tebaldi in last week's production would not have been easy for any singer. The Met crowd was clearly there to render personal homage to Tebaldi...
...while Baritone Duncan quietly practiced six operatic roles (Tonio in 7 Pagliacci, Escamillo in Carmen, Rigoletto, Germont in Traviata, the Ethiopian King in Aïda and Valentin in Faust). Last week his chance came-from New York's municipal, low-priced opera company, presided over by a self-conscious champion of race equality. Mayor F. H. LaGuardia. Todd Duncan made his debut in I Pagliacci, followed it two nights later with Carmen. Sympathetic audiences cheered him long. Critics were almost as loud in praise of his singing, hoped his acting would improve. Musically, LaGuardia's opera company...
...been promised only after she had agreed to learn three Italian roles and reduce 25 Ib. in three months, made her U. S. debut in II Trovatore (Leonore). Nicola Moscona, Greek basso, attracted the whole Greek colony to his Ramfis (Aïda). Sturdy American Baritone John Charles Thomas (Germont) saved a Traviata (with Vina Bovy and Nino Martini) from absolute mediocrity; dependable molasses-voiced Contralto Bruna Castagna (always affectionately regarded by Manhattan operagoers who knew her when she sang at the lowly Hippodrome) saved at least three operas (Samson et Dalila, II Trovatore, Norma) from a similar fate...
...roles which she has made peculiarly her own, Bori said her goodby. First she was Violetta in La Traviata, sacrificing her happiness on the plea of the elder Germont who was Tibbett bewigged. At the end she was graceful Manon, beguiling Tenor Richard Crooks until he gave up all thought of becoming a cleric. With what appeared to be the final curtain the audience was on its feet wildly cheering. But there was more to come. Stage had been set for the garden scene in Traviata. Flowers were everywhere. While members of the company stood by respectfully, Bori received rich...
...Traviata the role of the elder Germont is no test for an actor. But Thomas sang "Di Provenza," the one big aria, in model fashion, moved about the stage surely, easily, appeared properly sympathetic with the emotional frenzies of the consumptive Violetta...