Word: germy
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Dates: during 1990-1999
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...Mastroianni was also a clown, yelping like a hyena in heat when Sophia Loren (his partner in 13 films) strips for him in Yesterday, Today and Tomorrow (1963). As the Sicilian aristocrat in Pietro Germi's wonderfully malicious Divorce Italian Style (1962), he is a creature of tics and slouches, plotting his wife's death and stalking the seraphic Stefania Sandrelli with the gait of a mopey Groucho. He made informed fun not only of these familiar Italian comic figures but also of his own star machismo. At the end of a guest stint on Laugh-In, TV's vaudeville...
After that, forget it. The plot, based on a true story, has a vengeful wife (Tracey Ullman) determined to knock off her philandering husband (Kline), but the fellow proves strangely indestructible. This sort of homicidal fable demands the stiletto of satire -- the very weapon flourished by Italian director Pietro Germi in his brilliant '60s comedies Divorce Italian Style and Seduced and Abandoned. But what played in Sicily for Germi doesn't work in Tacoma, Wash., for Lawrence Kasdan. This crime does not spring from the polluted mores of a medieval society; it is the private whim of an exasperated woman...