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...RAILROAD MAN. The commonplace woes of everyman catch up with a devil-may-care railroad engineer in this family drama, made in 1956 by Director Pietro Germi (Divorce-Italian Style), who also plays the title role...

Author: /time Magazine | Title: Television: Oct. 29, 1965 | 10/29/1965 | See Source »

...RAILROAD MAN. Made in 1956, this minor drama owes its vitality to a major talent. Director Pietro Germi (Divorce-Italian Style, Seduced and Abandoned) who also takes on the leading role as a hell-for-leather railroad engineer brought to a dead end by family problems...

Author: /time Magazine | Title: Television, Records, Cinema, Books: Oct. 15, 1965 | 10/15/1965 | See Source »

...Railroad Man, made in 1956 by Italian Director Pietro Germi (Divorce Italian Style, Seduced and Abandoned), is an absorbing minor drama of family life. To followers of Germi's varied career, the film holds added interest as one of the few occasions on which he cast himself in a leading role...

Author: /time Magazine | Title: Cinema: Early Germi | 10/8/1965 | See Source »

...actor, Germi creditably plays Andrea-a rough-handed father, a celebrated drinker and singer of songs at his favorite café, and a hell of an engineer. But at 50, Andrea's self-centered world begins to go off the track. His grown son is a layabout who seems more interested in petty rackets than honest work. His daughter (Sylva Koscina), already embittered at having been forced to marry the store clerk who seduced her, has a stillborn child. While Andrea is brooding about that misfortune his train runs down a suicide. Afterward, the engineer takes a few drinks...

Author: /time Magazine | Title: Cinema: Early Germi | 10/8/1965 | See Source »

Miraculously, from this carload of sentimental clichés Germi weaves a compassionate, richly detailed reminiscence of the commonplace tragedies that every generation endures. The best of the film is seen through the eyes of Andrea's ebullient small son Sandrino (Edoardo Nevola), a lad who must learn to live among fallen idols. The boy's tongue-tied despair is eloquent when he comes upon his married sister in a parked car arguing with a stranger. So is his quiet exultation when he accompanies his father to the wineshop where former friends awkwardly welcome him back...

Author: /time Magazine | Title: Cinema: Early Germi | 10/8/1965 | See Source »

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