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...music world, however, was full of gifted and influential Jews at the time, such as Aaron Copland, George Gershwin, Kurt Weill, Arnold Shoenberg, and Marc Blitzstein...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: Leonard Bernstein | 10/5/2006 | See Source »

...this time, who were toiling away up in the Brill Building writing for Phil Spector and his black girl groups. The connection went back ever further, for Dylan was as brilliant and canny an imitator, synthesizer and transformer of folk music as Irving Berlin was of ragtime and George Gershwin of jazz. And within a few years, his songs would be covered more than any other songwriter...

Author: /time Magazine | Title: Bob Dylan at 65 | 5/24/2006 | See Source »

...Remember that, in 1931, the Wall Street crash had lately idled nearly a fifth of the work force and wonder that Ira Gershwin could have Wintergreen sing, in a perky love ballad, "Who cares what banks fail in Yonkers, / Long as you've got a kiss that conquers?" The Senators are less discreet: "If you think you've got depression, / Wait until we get in session, / And you'll find out what depression really means!" The reporters care not about The Issues; they pepper the Prez with questions only about his love life. "We don't want to know about...

Author: /time Magazine | Title: Old Musicals Like New | 5/12/2006 | See Source »

...Fair," a hymn to Miss Devereaux's allure, the pols sing: "What a charming epiglottis! / What a lovely coat of tan! / Oh, the man who isn't hot is / Not a man!" The Encores! production, staged by John Rando (who directed the wonderful 1998 revival of the Kaufman-Gershwin Strike Up the Band), makes Kaufman's old whine bubble like new wine. Pristinely faithful to the original, down to a film clip of the MGM lion, crowing instead of roaring, the show has a brisk, canny bounce matched only by ... well, by The Drowsy Chaperone. Rando festoons John Lee Beatty...

Author: /time Magazine | Title: Old Musicals Like New | 5/12/2006 | See Source »

...Broadway songs don't swing votes. Ira Gershwin discovered that when he rewrote his "Love Is Sweeping the Country" lyrics for Adlai Stevenson's noble but doomed 1952 campaign against Dwight D. Eisenhower. (A sample, from Kimball's The Complete Lyrics of Ira Gershwin: "What a man for our future! / Equal him if you can. / Fearless attitudes / With no platitudes; / Inspirational - / He's sensational! / Adlai's sweeping the country! / America - here's your man!") But they can buoy spirits. Mel Brooks knows that, as do the Drowsy Chaperone team. All the 21st century fashioners of musical comedy are marching...

Author: /time Magazine | Title: Old Musicals Like New | 5/12/2006 | See Source »

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