Word: gerson
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Dates: during 1960-1969
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Elected were: Donald N. Bach, of Eliot House, government; Gregory W. Brumfiel, of Leverett House, mathematics; Patrick A. Curtin, of Kirkland House, biology; John D. Fay, of Lowell House, mathematics; Donald E. Gerson, of Eliot House, anthropology: Alan Gilbert, of Kirkland House, social studies; David M. Gordon, of Adams House, social studies; and James M. Herzog, of Quincy House, social relations...
...addition to sculpture shows in these listings: Pol Bury at Lefebre, Marina Nuñez del Prado at World House (both through Nov. 7), David Smith at Marlborough-Gerson, George Rickey at Staempfli, Horst-Egon Kalinowski at Cordier & Ekstrom (all through Nov. 14), and Peter Agostini at Radich, 818 Madison Ave. at 68th (through...
PAUL REYBEROLLE-Marlborough-Gerson, 41 East 57th. The U.S. gets its first good look at a French painter who serves up frogs, couples and countrysides. As if performing a fertility rite in the paint itself, Reyberolle stirs around a mess of goopy green to convey the spume and spawn of swamp life and, with a calculated confusion of limbs, portrays lovers tumbling in a field, successfully suggests the mystery and fecundity of nature. Thirty oils. Through June...
...rivers and forests. These drawings and oils, done between 1905 and 1908, show keen insights and rhythmic vitality in a self-assured style, but offer little indication of the plastic purist he was to become (through May 23). For that, see "Mondrian, De Stijl and Their Impact," at Marlborough-Gerson, 41 East 57th, where his spatial austerity and its potential for beauty is fully realized in his own and in the works of 22 followers. Through...
Though Mondrian has been dead for two decades, the grip of de Stijl's geometry has never lessened, as is demonstrated in the 80-odd paintings on show at Manhattan's Marlborough-Gerson Gallery. Among the younger Dutch painters, Joost Baljeu, 39, makes mechanical totems of an order beyond emotion. U.S. Artist Charles Biederman, 58, saw that his mentor Mondrian had reached "the very limit permitted by the old hand medium of paint." He lays down the brush for what he calls "the new art tools of man"-machines -and makes his metal reliefs look un touched...