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...look at their listings. They're also responsible for some fine rock criticism. Landau's work in the Phoenix is always literate, and nearly always insightful, though he tends to take himself a bit seriously at times. For my quarter, the best rock writing in town is from Ben Gerson in Boston After Dark. He's literate and insightful, with the added advantage of being readable. There'll be regular rock reviews and criticism in this space, too, bi-weekly all summer...

Author: By Frederick Boyd, | Title: Do Ya Like Good Music? | 7/3/1972 | See Source »

...York's most successful public dealers. "Do you paint?" asked Valentin when he interviewed her. "No." "Then you're hired." She soon was much more than a secretary, working with Valentin's artists-Calder, Lipchitz, Moore, Arp-on their shows. She became vice president of Marlborough-Gerson Gallery before going into business for herself. In judging the value of a painting or sculpture, she never seeks other opinions, relies exclusively on her own years of experience. "You just know," she says, "or you're not in the business...

Author: /time Magazine | Title: Art: By Appointment Only | 8/3/1970 | See Source »

...GERSON -- Moors Hall RGA Representative (1966-67); President, Moors Hall (1967-68); RUS North House Representative-at-large; North House H-RPC Representative; Major: Biochemical Sciences...

Author: NO WRITER ATTRIBUTED | Title: Candidates For Radcliffe Class Marshals | 2/18/1969 | See Source »

...these reasons, we urge both the acceptance of the HPC resolution and a continuing discussion of the larger political and moral issues, as presented, for example, by SDS. Timothy Gould '68-4 Kay Tolbert '69 Lynne Gerson '69 Joe Blatt '70 Michael D. Robinson '71 Jay S. Epstein '69 Stephen J. Rapp...

Author: NO WRITER ATTRIBUTED | Title: HPC MEMBERS ON ROTC | 12/3/1968 | See Source »

This year's Rembrandt book. The text by Art Scholar Horst Gerson is for the most part mercifully purged of art history jargon. Eighty big color reproductions (book size: 14¾ in. by 11¼ in.) have been carefully printed to reduce the yellow cast of ancient varnish that customarily obscures Rembrandt's backgrounds. The result, though it sometimes gives the impression that the paintings have just been overzealously cleaned and scraped, offers a rare chance to linger over details normally lost in murk. Weight: 10½ pounds...

Author: /time Magazine | Title: Books: A Christmas Shelf: Bigness and Beauty | 11/29/1968 | See Source »

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