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...center of a labyrinth of canvasses, easels, stools, and drop cloths, Nancy Mitchnick—one of the only two studio painting teachers in the VES department—presides over her class on the third floor of the Carpenter Center. Pungent smells of fresh gesso mingle with turpentine while an eclectic mix of music sets the creative mood. With a couch and a makeshift kitchen, it is clear that many student painters view the studio as a sort of second home and Nancy, as she is fondly called, as a sort of stand-in mother. “Students...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: Sketchy Future for VES | 4/2/2009 | See Source »

...entire scheme is an essay in riotous cod rococo: swagged chintz, contorted gilt (even the bathroom fittings are gold-plated) and vibrant color (the bedroom juxtaposes canary yellow with magenta). The penthouse walls are decorated with gesso oak branches mounted on mirror to evoke the tangled briars that grew up around Sleeping Beauty's castle. There are lamp fittings shaped like birdcages, twig-like door handles on which perch golden birds, a tented ceiling, painted silk walls and an abundance of cherubs and shells, as well as a number of watercolors by Messel, two of them designs for The Sleeping...

Author: /time Magazine | Title: Ballet Suite | 10/9/2006 | See Source »

...been restored but never altered, is truly fit for a princess. The entire scheme is an essay in riotous cod rococo: swagged chintz, contorted gilt (even the bathroom fittings are gold-plated) and vibrant color (the bedroom juxtaposes canary yellow with magenta). The penthouse walls are decorated with gesso oak branches mounted on mirror to evoke the tangled briars that grew up around Sleeping Beauty's castle. There are lamp fittings shaped like birdcages, twig-like door handles on which perch golden birds, a tented ceiling, painted silk walls and an abundance of cherubs and shells, as well...

Author: /time Magazine | Title: Ballet Suite | 10/3/2006 | See Source »

...Papunya Tula Artists, the movement begun by Geoffrey Bardon in 1971, which is today a multi-million-dollar industry and the community's main provider. Now a whiteboard in the Kintore shed lists their toil (Johnny - 4 by 2; Eileen - 107 by 28; Joseph - 4 by 3 ? ) and linen, gesso and cadmium yellow to be ordered in. But in short supply this morning are the artists: only Josephine Napurrula and Eileen Napaltjarri are at work, cross-legged on the floor, quietly dabbing at their canvases...

Author: /time Magazine | Title: Painting for Their Lives | 11/23/2004 | See Source »

...Annette Lemieux's audience, the wall reappears, in pieces. "Crossing the Rubicon," her newest piece, was featured last month at the Mario Diacono gallery in Boston. In Diacono's presentation, the two canvas panels (with pencil, gesso, pumice and acrylic on the left-hand panel and water-based ink and acrylic on the right) attract the viewer out of a cube of white, bare walls. Similarly, Lemieux's piece lifts her bricks out of a blank space, penciled, then layered with textural media, delivering geometric packages of a single, double or triple artistry...

Author: By Amanda Gill, CONTRIBUTING WRITER | Title: Deconstruction Site: On the Job with Annette Lemieux | 4/14/2000 | See Source »

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