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...painting murals in the bower: "He collects charcoal from native hearths and, holding a strip of frayed bark in his beak for a brush, mixes the charcoal with saliva, which is forced through the sides of his bill to be spread with the piece of bark. He thus applies gesso or paint to the side walls of his bower...

Author: /time Magazine | Title: Art: The First Fauves | 5/17/1954 | See Source »

Murder & Belief. A slow, meticulous worker in the early Renaissance technique of egg tempera on gesso panels, Cadmus builds his pictures up with thousands of tiny brush strokes, finds time to complete only three or four a year. He had interspersed his Sins with cleverly composed little pictures of ballet dancers practicing and handsome boys having fun on beaches. There was also a photographically sharp scene of mob violence, Herrin Massacre, which described in bloody detail the murder of a gang of strikebreakers by coal miners at Herrin, Ill. in 1922. Like many of Cadmus' best works, Herrin...

Author: /time Magazine | Title: Art: Sin in Frames | 12/5/1949 | See Source »

Died. Charles Prendergast, 79, artist brother of the late Impressionist Maurice, reviver of a long-neglected Italian Renaissance technique of painting; in Norwalk, Conn. Prendergast produced gleamingly rich paintings like Persian miniatures by a process called "incised gesso": etching an outline on a plaster-and-glue base, then applying egg tempera and liberal quantities of gold leaf...

Author: /time Magazine | Title: Milestones, Aug. 30, 1948 | 8/30/1948 | See Source »

...showed a slightly idealized, if muscular, ecdysiast in mid-routine. The variously brooding faces of seven balding burlesque-addicts include the artist's own, in foreground (see cut). Artist Marsh found the inspiration for Strip Tease in a Union City, N.J. burlesque house, painted the picture on gesso panel in a soft-toned mixture of egg yolk and dry color...

Author: /time Magazine | Title: Art: A Strip Tease Pays Off | 3/12/1945 | See Source »

Varda used to work on gesso (a smooth-surfaced, white mixture of rabbit glue and whiting solution) and with mosaics. He turned to collage because gesso and mosaics are too bulky, too expensive to transport, the ingredients are too dear-and Varda can snip out a collage in less time than it takes him to dream up a mosaic. "While the vision is full upon me," he says, "I can finish a whole painting [collage...

Author: /time Magazine | Title: Art: Imperfectionist | 8/30/1943 | See Source »

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