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Word: gestalt (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...note to his publisher, the writer of this ironic romance observes that "I guess I'm the least known author of my ability in America." The titles of some of his previous books (Gestalt Therapy, Art and Social Nature) suggest why. But in this novel, Author Goodman shows an impressive gift for fiction. His prose is strong-flavored and exact, his comedy is caustic. Still, for all its humor, The Empire City bulges like a diplodocus. The first of its four overlong, sometimes aimless books was begun in 1939, and Goodman says he may yet write another volume...

Author: /time Magazine | Title: Books: Fertile Void | 6/1/1959 | See Source »

...language he had to learn at the age of 47, in a country noted for its impatience with theology, he has come to be regarded by the U.S. as its foremost Protestant thinker. And though his working vocabulary is viscous with such terms as ontology, theonomy, numenous and the Gestalt of Grace, he is now devoting most of his time to teaching any Harvard or Radcliffe undergraduate who signs up for his highly popular courses...

Author: /time Magazine | Title: Religion: To Be or Not to Be | 3/16/1959 | See Source »

Avoiding what he called the rank list syndrome, David Riesman '31, Henry Ford II Professor of Social Sciences, accepted students for Soc Sci 136 on the basis of the gestalt or totality of the impression made by the much-discussed questionnaire he required...

Author: NO WRITER ATTRIBUTED | Title: Riesman Accepts Diversified Group | 2/5/1959 | See Source »

...general, the author approaches Harvard in a way the blind men handled the elephant, bit by bit. He tries to let the University reveal itself through vignettes of sections, CRIMSON editorials, student comments; and if he does not capture the Gestalt of the University, he shows its diversity well...

Author: By Charles S. Maier, | Title: 'Imperial Harvard' | 10/3/1958 | See Source »

...categorical approach is usually used, however, if not out of sheer inertia, at least for convenience's sake. For the current exhibition at Busch-Reisinger, however, the old method is most appropriate, for there are precious few canvases in the whole lot which transcend their particular philosophy, genre or gestalt...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst II | 4/30/1958 | See Source »

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