Word: get
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Dates: during 1990-1999
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...completely freaked out about meningitis. Our roommate's uncle is a doctor and her aunt gets really paranoid. So she's been telling us all year that we need to get our vaccine...
...contrast, there is almost nothing of a revealing and striking honesty in Living in Hope and History. In most of her speeches and essays, Gordimer settles for platitudes and truisms rather than incisive commentary. Of course, in two or three of these selections, we do get some flashes of the uncompromising clarity of moral vision that is apparent in her best fiction: but these glimpses of Gordimer at her best only serve in this context to accentuate the reader's disappointment in the rest of the compilation. In 1959: What is Apartheid?, a transcript of a seminar given in Washington...
...does not somehow strike a new chord in the reader. Gordimer manages to cover the most emotionally intense period in her country's history in a way that is factually true, but emotionally false: she repeats the necessary mantras about transformation, progress and unity, without any real attempt to get under the skin of the new country...
...While Woodrell wishes to "get through the humanity of all involved" in his novel, Lee's Ride With the Devil is merely a mockery of human relationships. Maguire's Jimmy Stewart-like treatment of his character, the unexplored dramatic richness of Holt's story and Jewel's shaky on-screen image detract from Lee's normally rich character development. Lee fails in Ride With the Devil. The film is not poorly conceived, but his past films and demonstrated talent grant occasion to expect more from him. This time, Lee tries too hard bridge the gap between the subtlety and serious...
...could compare her to Austin Powers' Frau Fraubissina, although you might get a jackboot to the stomach. The creator of Stereolab's cold-hearted sound storm appeared in hardcore military-chic: high collar, olive-drab frock, tight mug. But somehow, when she and Hansen stepped up to their microphones, it was all okay: Sadier's harshness and Hansen's softness mixed together as well as Stereolab's other songwriter (and founder) Ti Gane can mix Muzak and German post-punk, the listless vocals carried along like a beauty queen in a homecoming parade of sound clips, acid jazz and dippy...