Word: get
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Dates: during 1990-1999
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...seems to get the fame thing too. When the school that rejected Damon 20 years ago wrote recently asking for a photograph for its 75th-anniversary wall display, Damon and his mother talked it over for a while. What he had predicted had come to pass. "Karmically, it was big," says Damon. A pause. "Of course I'll send them something." Of course...
...Dickie is an effortless charmer who enjoys watching people try to charm him, and Tom is up to the challenge. "Dickie inherited wealth, looks and privilege," says Minghella. "Ripley inherited nothing and has nothing. He so much wants the life that Dickie has that he'll do anything to get that life...
...writing Ripley, Highsmith had two bolts of brilliance. The first was to let the bad guy get away with his crimes. All mystery writers are murderers; they get into the mind, under the skin, of a killer, if only to determine how the foul deed can be accomplished. Then, typically, they bring in a detective to unravel the plot and cuff the culprit. Highsmith simply ditched the civilized pretense of justice avenged. She tore the final, comeuppance chapter out of Ripley's story, left him giddy with triumph--and let him flourish in four more books. The snake, having shed...
Minghella does not let Ripley off that easily. He devises two characters who fall for the killer and get in his way: a sweet, rich buttinsky (Blanchett) and a gentle homosexual (Davenport). Can he kiss them, or kiss them off, without bumping them off? We won't tell, but we will say that Tom has second thoughts about his addiction to killing the things he loves. The film lets Tom off the hook for the murders of Dickie and Freddie. Then it creates a new hook and leaves you wondering if Ripley will hang from...
...caught," Minghella says. "But I also wanted to investigate what that actually means. At the end of the film, Ripley is imprisoned by the consequences of his own action. There's a difference between public accountability and private justice. He appears to have gotten away; he seems to get away with everything. In a way he's sentenced to freedom. It's painful to have this talent for escape, for being able to improvise one's way out of any situation. To Ripley, it's a curse...