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...single person who influenced her most. “Theater is very collaborative to begin with.” She says. “The students I’ve worked with have been really influential and creative: you’d be surprised how much they can get done. My peers surprise me over and over again...
...Blasted’ by Sarah Kane, which the American Repertory Theater has been wanting to produce for years, but hasn’t been able to because financially it doesn’t seem feasible. People are willing to do that here and get on board for that production. If there are 20 people in the house that night, that’s still 20 people who saw that incredibly amazing piece of theater,” she says...
...think the theater community here, because it so small and does so much, is probably the most welcoming place you could possibly find at Harvard. It’s just a great group of people and everyone helps each other out to get these billions of shows done with a very small group of technicians,” she says. “It’s been a very positive experience for me, both from the community that I’ve become a part of as well as an artistic outlet...
...layers of meaning and context that you won’t necessarily see in the shallow, episodic plotline,” he says. Federman agrees: “We may not have had a promising production under different leadership, but Adam is the kind of director who can get people excited about a Shakespeare play, and an obscure one at that...
...integral part of Harvard theater during the last four years. “Everyone in the theater here knows Michael,” Griggs says. “He can be kind of shy, but somehow he appears here and there around campus and shows just seem to get lit.” In addition to his omnipresence, Shields adds, Zellmann-Rohrer has made a significant impact by mentoring other student technicians. “Michael has a real dedication to helping others,” she says. “He’s great at stepping back...