Search Details

Word: getz (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Charles is the popularizer of soul jazz, the intellectual leaders of the movement is Horace Silver, a slight, 35-year-old pianist and composer from (of all places) Norwalk, Conn. Silver, came to New York with Stan Getz in 1950, played with Art Blakey's Jazz Messengers for a few years, and finally formed his own quintet...

Author: NO WRITER ATTRIBUTED | Title: Off the Record: Horace Silver | 4/11/1963 | See Source »

...pleaser, is technically master of his instrument. His best solo, on Thelonius Monk's Straight, No Chaser, was a honking, exuberant anthology of tenor sax styles, jumping from Johnny Hodges to Ornette Coleman to John Coltrane with deftness and humor. Friedman is strongly influenced by Coltrane, with a little Getz and "Fathead" Newman thrown in, and he has not yet found his own niche...

Author: By Sidney Hart, | Title: Jazz at Quincy | 3/23/1963 | See Source »

...State Department-sponsored tour of Latin America. It was simple, Byrd discovered, "to play a very full jazz solo with this stuff; you can do a great deal that you can't do with regular four-four time." Byrd cut a bossa nova album with Tenor Saxophonist Stan Getz. Soon there were bossa nova recordings by, among others, Vibraharpist Cal Tjader, Bandleader Lionel Hampton, Saxophonists Sonny Rollins and Zoot Sims. The record companies, hungry for a trend, are now ready to rush 15 or so albums with bossa nova numbers onto the market. Among the featured performers: Peggy...

Author: /time Magazine | Title: Music: Bossa Nova | 9/21/1962 | See Source »

...only place where I differ with your editor is the sentence "When Stan Getz and his cool tenor made the scene in the late '403, Hawkins was Out with...

Author: /time Magazine | Title: Letters: Sep. 7, 1962 | 9/7/1962 | See Source »

Actually, the first crack in the dam was when Lester ("Pres") Young introduced a new school of vibratoless tone and long, extended solo lines. Young was Hawkins' strongest challenger, and it was Pres who begat Getz and the cool school. Most musicians consider Hawkins and Young the two great tenor influences...

Author: /time Magazine | Title: Letters: Sep. 7, 1962 | 9/7/1962 | See Source »

Previous | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | Next