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Word: ghetto (lookup in dictionary) (lookup stats)
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...Combs' popularity is the high-style, fun-loving, money-making persona he cultivates. After the murders of B.I.G. and Tupac Shakur, many music fans soured on gangsta rap's verbal gunslinging. Combs' videos portrayed a stylish, monied crowd more concerned with the good life than living out gangster fantasies--"ghetto high fashion," he calls it. Offstage too Combs cuts a swashbuckling figure. In white-on-white suits and a black bowler, he is chauffeured around in a Bentley, and hangs his hat in a cavernous $14 million Manhattan mansion that he shares with his girlfriend, Kim Porter, and their...

Author: /time Magazine | Title: Music: Hip-Hop Nation: Sean Puffy Combs | 2/8/1999 | See Source »

...city, hip hop and soul music, when played over the radio, can have the effect of taking the difficulties of urban life and depersonalizing them, making them a communal problem rather than an individual failure. As Ulf Hannerz points out in his 1969 ethnography of Washington, D.C., Soulside, "the ghetto cultural apparatus also assures the members of the audience that their personal troubles are only reflections of the public issues of the community...

Author: By Jal D. Mehta, | Title: Looking for Community on the FM Dial | 1/25/1999 | See Source »

...Frankfurt ghetto where the fortune started, the paterfamilias, onetime coin dealer Mayer Amschel Rothschild, left a last commandment to his five sons: Maintain absolute unity. In later years the brothers quarreled often but obeyed their father. They wrote to one another voluminously in the privacy of almost indecipherable Judendeutsch (German written in Hebrew characters) and bailed one another out. Hard times for James in Paris brought Nathan's London to the rescue, and so on--meaning that the Rothschilds, a power unto themselves, could usually float above the fates of individual nations and regimes...

Author: /time Magazine | Title: Books: A Power unto Themselves | 12/7/1998 | See Source »

...Holocaust. The themes and variations of his artwork reflect the inhumane environment which he endured. Born in the Polish city of Vilna (present day Lithuania) in 1933, Bak felt the presence of danger throughout his childhood. His drawings received attention as early as 1942, through an exhibition in the ghetto of his birthplace. Bak was nine years old at the time...

Author: By Nicole A. Lopez, CONTRIBUTING WRITER | Title: The Spirit of Samuel Bak | 12/4/1998 | See Source »

...most recognized photograph from the Warsaw Ghetto in 1943, a little boy stands in the rubble, both hands raised in a blind surrender. His back shelters him from the view of a man with a gun, his shoulders suspecting his doomed fate. Bak was about the same age as this child pictured, and chose to honor in his paintings this image of all children sacrificed in the Holocaust. The little boy, the symbol of the universal purity of the heart, is the main subject of over 12 pieces in the exhibit, each time pictured in the same pose. The desensitization...

Author: By Nicole A. Lopez, CONTRIBUTING WRITER | Title: The Spirit of Samuel Bak | 12/4/1998 | See Source »

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