Word: ghosted
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Dates: during 1980-1989
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...country descends into anarchy, the 17-year-old narrator becomes a fugitive. Packing up his treasured copies of Animal Farm and Rebecca, he is driven in the family Land Rover through a boulevard of corpses, out into the wasted fields. Suddenly, the children who loved to listen to ghost stories are living them...
...between two strong men, outsize figures of shameless strutting charisma, for parentage of their platoon and for their new recruit, Chris. Barnes, the staff sergeant, could be Chris' legal father; Elias, the romantic renegade, could be a spiritual father, even after his death. They are like Claudius and the Ghost wrestling for Hamlet's allegiance...
...strike some as overdoing it. But going too far has been a hallmark of Roth's fiction from the beginning. His early stories provoked some Jewish readers to condemn him for anti-Semitism; Portnoy gave him a reputation as a sex maniac. His three books about Nathan Zuckerman, The Ghost Writer (1979), Zuckerman Unbound (1981) and The Anatomy Lesson (1983), have led to charges that Roth is trapped in narcissistic reverie, writing about a writer who resembles himself. As if thumbing his nose at such comments, the author now offers The Counterlife (Farrar, Straus & Giroux; 324 pages; $18.95). It features...
Roth's monastic schedule varies only a little when Actress Claire Bloom, 55, is in residence. The two have lived together since 1976 and occasionally worked together as well. His co-adaptation of The Ghost Writer appeared on PBS's American Playhouse in 1984, with Bloom playing a woman trapped in her writer-husband's hermetic life somewhere in New England. Roth and Bloom are hardly trapped; they now divide each year between Connecticut and her house in London. "We try not to be apart for more than a month at a time," says Roth. The author and the actress...
...industry booming, Americans found it not just easy but almost obligatory to believe in machine- created Utopias. Their country, wrote the photographer Paul Strand in 1922, was the "supreme altar of the new God," a trinity formed by "God the Machine, Materialistic Empiricism the Son, and Science the Holy Ghost." Its factories, thought Strand's colleague Charles Sheeler, "are our substitutes for religious expression...