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Word: ghosted (lookup in dictionary) (lookup stats)
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...past month, the Loeb Mainstage has been host to a veritable menagerie of nature’s most ferocious beasts. On any given night, the stage will be crowded with a pride of lions, an ambush of tigers, a den of snakes and even the occasional ghost. But these creatures hardly ever make a sound, and they seem to appear and disappear at a moment’s notice...

Author: By Marin J.D. Orlosky, CRIMSON STAFF WRITER | Title: Making the Invisible Visible | 10/8/2004 | See Source »

...back from being a 21st century art form, it's people. So let's go with pixels. They're cuter, cheaper, better behaved. They can simulate funny sea creatures (Shark Tale), re-create 1939 Manhattan or Shangri-La (Sky Captain and the World of Tomorrow), visualize a future dystopia (Ghost in the Shell 2: Innocence) with a wave of a wand, the click of a mouse...

Author: /time Magazine | Title: It's Digital. Can You Dig It? | 10/4/2004 | See Source »

MOVIES: Sky Captain, Shark Tale and Ghost 2 paint a future that's fantastic but not quite human...

Author: /time Magazine | Title: Table of Contents: Oct. 4, 2004 | 10/4/2004 | See Source »

...Japanese anime director Mamoru Oshii has been perfecting his vision for a couple of decades now. Like the Patlabor series of videos and films and the original Ghost in the Shell (1995), his new movie takes a story of tough detectives tracking sophisticated robots and dresses it in some gorgeously painterly images. As Sky Captain is set in the proto-past, Ghost 2 is set in the retro future--Blade Runner territory. Like so many films inspired by the stories of Philip K. Dick, this one is awash in meditation on the basic Phildickian questions: In a world where...

Author: /time Magazine | Title: It's Digital. Can You Dig It? | 10/4/2004 | See Source »

...also static. French critic Michel Ciment called Ghost 2 "animation without animation"--a cartoon in which the images don't move much. On stolid figures and faces, only the mouths move, as in the old Clutch Cargo TV series. The action scenes don't move at a clip either. Sometimes Oshii preens a little, as when the camera tracks slowly around an object. It points out what's missing in his approach: fluidity of character line, the subtlety of expression that brought humanity to a Warner Bros. cartoon duck or rabbit...

Author: /time Magazine | Title: It's Digital. Can You Dig It? | 10/4/2004 | See Source »

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