Word: ghosting
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...called "When Tyson Met Tyra." We've been accumulating experience. Method Man's got a movie coming out and he filmed an episode of "Oz," so he's learning the business. Power [Wu Wear founder Oli Grant] was in "Black and White" and that had some success on it, "Ghost Dog" was a good step into films for me. I'm friends with a few people in the acting community and we've been talking about working together, such as Wesley Snipes, Bokeem Woodbine ["The Rock"] and Kadeem Hardison ["I'm Gonna Git You Sucka"]. We started work...
...because he's looking at whatever he got, he got, but we made plans for everyone to eat. That was the same system that was employed when he didn't have an album and Meth did an album the same system was employed when Raekwon did an album and Ghost [Ghostface Killah] didn't do an album. So everyone kept the family bond and we put the bread on the table and everybody break off their piece and eat and be merry...
From an unseen hallway, Sade's mournful voice floats into the TV studio like a ghost passing through a wall. She's singing these words, "I'm the king of sorrow..." The vocalist is backstage at HBO's comedy-interview program the Chris Rock Show. She's just wrapped up rehearsals for her appearance on the program to promote Lovers Rock (Epic), her first CD of new music in eight years. That's a lifetime in pop: time enough for the Seattle rock scene to have exploded like a supernova and to have collapsed like a white dwarf, time enough...
From an unseen hallway, Sade's mournful voice floats into the TV studio like a ghost passing through a wall. She's singing these words, "I'm the king of sorrow..." The vocalist is backstage at HBO's comedy-interview program the Chris Rock Show. She's just wrapped up rehearsals for her appearance on the program to promote "Lovers Rock" (Epic), her first CD of new music in eight years. That's a lifetime in pop: time enough for the Seattle rock scene to have exploded like a supernova and to have collapsed like a white dwarf, time enough...
...have seen a production of Memory elsewhere, you may pick up upon a rather noticeable change which the script has undergone; whereas, in the original text, the women's mother returns as a ghost to speak with Mary (Catherine Gowl '02), Shohet has chosen to evoke the mother's spirit without explicitly causing her to manifest herself. This decision fulfilled several functions for the production. It significantly cut down on the distinctly European (read: long) running time of the London production, turned the show into more of an ensemble piece (though Mary still tends to dominate) and helped to root...