Word: ghosting
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...Sherman Oaks multiplex, it's the same mixed bag. On the wide screens there's a face-off between the two top-grossing films of the week. Casper (the Friendly Ghost) offers his doe-eyed version of mortality against the merry bloodbath that is Die Hard with a Vengeance. But over at Taco Bell, 15-year-old Christopher Zahedi will tell you he prefers the rougher stuff. "I liked the part in Pulp Fiction where the guy points a gun and says a prayer from the Bible and then kills everybody,'' he offers. "You hear the gun go brrrr...
...languages, was to chart the parabolic trajectory of a love, while showing that charts tell us nothing we need to know of love. De Botton looked at the sophistries of the heart with a mix of pop psychology and learning that made his novel sing like a Cosmo article ghost-written by Descartes...
...cheerful, knowing way, the hit movie Casper mines this same dark soil. On its face, it is a high-gloss update of the "friendly ghost" who starred in 55 cartoons between 1946 and 1959, a long-running comic book and a short-lived 1979 TV series. Director Brad Silberling mixes rude slapstick for the kids with pop-culture cues for their parents, including gag cameos by Clint Eastwood, Mel Gibson and Ghostbusters' Dan Aykroyd. The movie even has its own theme-park ride, a kind of human car wash. All jolly enough. But in its haunted heart, Casper is another...
...expert computer animation by Dennis Muren and his fellow effects wizards at ILM, Casper is cute and pudgy -- a Pillsbury ghost boy. Yet he is also a dead child speaking from an unquiet grave. Poaching on her father's turf, Kat serves as Casper's therapist and helps him remember his life and early death. "What's it like to die?" Kat asks eagerly, and Casper replies, "Like being born-only backwards." Before long, Kat is forced to decide who lives and who dies-her father or her new best friend...
...cartwheeling, somersaulting, scaffold-climbing presence who occasionally releases, in his rare moments of repose, a pleasant simian cooing. The production abounds in lovely visual effects. Blending silks and spotlights, dragons and conveyor belts, Zimmerman serves up the Court of the Jade Emperor, a courier from Buddha, a ghost-king. There are slow stretches-much of the burlesque falls flat-but the overall effect is dazzling. You leave with your inner eye aglow...