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Palmer makes little pretense to literalism, preferring to relate the composer's spiritual odyssey through stark images. Shot mostly in gritty black and white, the film often turns phantasmagorical; near the end, the ghost of * Stalin appears to the dying composer and tells him, "I am the enemy you loved." For all Shostakovich's hatred of the dictator, Palmer seems to be saying, without Stalin there would have been no intimate, brooding string quartets, no enigmatic, valedictory Fifteenth Symphony. By giving Shostakovich something to hate and fear, Stalin turned him into a great composer. The symphonies dedicated to the state...

Author: /time Magazine | Title: Music: I Am the Enemy You Loved | 12/12/1988 | See Source »

...mine detector picked up a signal between two stones at the southwest corner. Harry Truman ruled against disturbing the ghost. Two years ago, Scouten tried a radar device and got an image in the same place. Among other decisions for George Bush will be whether to lift out that fragment of history and raise a few more glasses to the grand old home...

Author: /time Magazine | Title: The Presidency: The $50 Million Face-Lift | 12/5/1988 | See Source »

...playwright's more mature romantic comedies, this is not the typical show of Cowardice. Blithe Spirit is about a man whose marriage is threatened by the ghost of his first wife...

Author: NO WRITER ATTRIBUTED | Title: Stage Door | 12/2/1988 | See Source »

...broadcast of A Christmas Carol, with an all-star cast (Buddy Hackett as Ebenezer, Mary Lou Retton as Tiny Tim). He is bursting with creative ingenuity: he wants tiny reindeer antlers stapled on the forehead of a Christmas mouse. But Frank is about to get scrooged by the ghost of his old boss (John Forsythe), and three Christmas spirits want to teach him a lesson in generosity. He will hallucinate an eyeball in his highball and be told that "garden slugs get more out of life than you do." Retorts Frank: "Name...

Author: /time Magazine | Title: Cinema: What The Dickens! | 11/28/1988 | See Source »

...Mitch Glazer and Michael O'Donoghue, know that all a TV skit needs is a likable star and some lunatic vamping. Because of the Dickens frame, this formula works at feature length, even if Richard Donner's close-up and impersonal direction clangs like the chains on Marley's ghost. And because, 4 1/2 years after his last star turn in a movie comedy (Ghostbusters), Murray remains a roguish delight to watch. As sham friendly as the guy who cheated off you in high school, as ersatz hip as a Vegas lounge singer, Murray lets the movie hang agreeably loose...

Author: /time Magazine | Title: Cinema: What The Dickens! | 11/28/1988 | See Source »

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