Word: ghosting
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Rene Tillich's short story "Point of View" and Ralph Hickock's poem "Song" are the two best pieces in the first issue of Voices. James Hill and Eleanor Kester both contribute some good poetry, although the bank-clerk-and-pin-collar ghost of T.S. Eliot appears to haunt Hill and most of the Voices poets...
Indeed, that ghost and a somewhat inane collection of conversation and childhood incident called "Cousin Jack" are the only real faults of the current issue. Hill, Hickock, Claude McNeal (who edites the magazine along with Hickock) and a couple of the female poets seem to be looking at Eliot as a mentor or an enemy--but not looking beyond him. A bogus character named T.E. Stearns goes on for several pages of Eliot parody--which should have gone out of fashion several decades...
Alfred, an assistant professor of English, read the prologue and first act of his unpublished verse play, Hogan's Ghost...
...struggle out of bed before 5 p.m.-there are the long, white beaches, but they are about five miles away. Nobody bothers much to swim or waterski; the beaches are for lolling, in or half out of bikinis. During the day, St. Trop is for the most part a ghost town, much as it was before it was "discovered." At night it blazes into life...
...with the gingham dress-when they are kidnaped by The Bad Guy (Richard Widmark)-he's the one with the occupational sneer-who forces them to lead him to The Buried Treasure. First they cross The Bad Lands, then they encounter The Bluecoats, later they come to The Ghost Town, finally they are attacked by The Indians-a tribe of cosmetic Comanches who bite the dust as delicately as though it were crepes suzette. At the climax, The Good Guy and The Bad Guy shoot it out to supply the answer to the second most important question the picture...