Word: ghostly
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...Tarik (Aaron Mathes '98), a young Arab-American couple, return to the house where Jane grew up in order to pack up her remaining belongings before her move to New York, where she is going to be a professional dancer. As soon as Tarik leaves Jane's room, the ghost of Deedee (Melissa Gibson '99), Jane's best friend from high school who died seven years earlier, appears and demands that Jane paint a portrait...
Much about this production was not clear. While the plot was interesting, if a little too heavy-handed, the actors made watching the play uncomfortable. For some reason Melissa Gibson's Deedee-as-ghost ran laps around the stage while nastily berating poor Jane. Why was she berating her? Aaron Mathes seemed to have difficulty with Tarilc While he was appealing (mostly for lack of any positive male characters), his mood changes and facial expressions were awkward as well as unexplained. Santiago Tapia delivered Samir's lines unsure of appropriate emphasis. He did not seem comfortable moving around the stage...
...Ghost of Tom Joad, is his best in years, it's because Springsteen has turned his attention once again to the downtrodden. The songs on the new album are about desperate lives along the Mexican-American border. Each is like a short story; several unwind without choruses. On Sinaloa Cowboys, Springsteen sings of two illegal immigrants who fall in with drug traffickers (he manages to rhyme "ravine" and "methamphetamine"). His sound--somewhere between Springsteen's stark Nebraska album and his serenely wrenching hit Streets of Philadelphia--is spare, featuring little instrumentation beyond an acoustic guitar, harmonica and keyboard...
...bringing it to a ratio of 19 sq. ft. for every man, woman and child in the U.S. "There will be closed and empty stores in almost every single mall in the country," says retail analyst Walter Loeb. "Some customers are going to feel like they're shopping in ghost towns...
...1970s, his work has focused not on the people who sign the paychecks but on the guys and gals who have to make them stretch for a whole week. If in recent years Springsteen had lost touch with his proletarian passions, he's rediscovered them with "The Ghost of Tom Joad," a new collection of songs about desperate lives along the Mexican border. "This album has the power to haunt," says TIME's Christopher John Farley. "Springsteen's sound, which is somewhere between his stark 'Nebraska' album and his serenely wrenching hit 'Streets of Philadelphia, is spare, featuring little instrumentation...