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Word: ghoul (lookup in dictionary) (lookup stats)
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...Hunchback of Notre Dame, the organ-playing ghoul of The Phantom of the Opera, the sad clown in He Who Gets Slapped, Chaney proved the possibilities of escaping oneself. As an artist might rush to his easel to sketch the characters he had encountered in a day, Chaney would go home to his makeup kit and superimpose upon his own flesh the faces he had studied in police courts, water front dives and cafés. With putty and plaster, collodion-created scars, false teeth, wigs, facial clamps, cotton stuffing and rubber dilaters, Actor Chaney would be somebody else...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 26, 1957 | 8/26/1957 | See Source »

...Photoplay's actor popularity poll, draws 1,000 fan letters-a week ("Dear Jimmy: I know you are not dead") at Warner's-more than any live actor on the lot. Marveled one Wesf Coast cynic: "This is really something new in Hollywood-boy meets ghoul.'' Hollywood's explanation: Dean not only appeals to a "mother complex" among teen-age girls, but his roles as a troubled insecure youth prompted many young movie fans to identify with...

Author: /time Magazine | Title: The Press: Dean of the One-Shotters | 9/3/1956 | See Source »

Robinson, as the detective, is dutifully inhuman throughout. The relish with which he shows movies of the Nazi gas chambers would delight any red-blooded ghoul, and his poker-face in delivering such lines as "You're shocked at my cold-bloodedness" is, for some inexplicable reason, hilarious. Welles is suitably desperate as the Nazi, even though he fails to exhibit any quality which could conceivably have inspired his wife's animal-like devotion to him. Loretta Young plays the animal...

Author: By Stephen R. Barnett, | Title: The Stranger | 1/5/1955 | See Source »

...attacked by a black leopard during a hunting party, 2) almost immersed in an alligator pit, 3) thrown into a subterranean torture chamber, 4) prepared for burial alive. The Black Castle tries hard to chill the moviegoer's spine. Most of the time, however, this boy-meets-ghoul melodrama is only tepid theatrics...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 8, 1952 | 12/8/1952 | See Source »

Christ's crown of thorns marks the mathematical center of the composition, but not the spiritual center. Lebrun has chosen to hide Christ's face entirely and to put above His bowed head the face of an anonymous ghoul, a monster that seems to set the overall tone...

Author: /time Magazine | Title: Art: Big Shocker | 3/19/1951 | See Source »

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