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...Picks What? The $10,000 Guggenheim International Award, won by Swiss Sculptor-Painter Alberto Giacometti, is supposed to go, explains Curator Lawrence Alloway, to "the great wherever seen. When Harry Guggenheim started the whole thing in 1956, he saw the prizes as a kind of equivalent of the Nobel Prize, something that was awarded regardless of national boundaries." Alloway spent a year and a half traveling in 30 countries to choose entries for the 1964 Guggenheim International, and the jury that then picked the winners included Painter Hans Hofmann, Arnold Rüdlinger, director of the Kunsthalle in Basel...

Author: /time Magazine | Title: Art: The Painting Contests | 2/7/1964 | See Source »

Beyond the mechanical problems of selection comes the intent of the prize. Should it be to crown a style and seem to urge young artists to march to the easel and start painting like Davis or Giacometti? Or does it encourage new talent to be different-for the sake of being different...

Author: /time Magazine | Title: Art: The Painting Contests | 2/7/1964 | See Source »

Stuart Davis says he doesn't see why a jury, when it likes a picture very much, shouldn't say so. "Quarrel with the jury itself if you disagree with their choice," he adds, "but don't quarrel with the institution of expressing ideas." Alberto Giacometti gladly took his Guggenheim Grand Prize. But even he had some reservations on being first: "Nothing is absolute in art. You cannot say this painting is worth 100 points, this painting 80, this one 50. It's not a pistol-shooting contest, fortunately...

Author: /time Magazine | Title: Art: The Painting Contests | 2/7/1964 | See Source »

...Catholic Interracial Council of Chicago, thus becoming the first head of the Presbyterian Church ever honored by a Catholic group; Fisk University President Stephen Wright, 53, elected a board director of the Association of American Colleges, the first Negro ever to achieve such a post; Swiss Sculptor-Painter Alberto Giacometti, 62, named for the $10,000 Guggenheim International Award, the U.S.'s richest art prize; Actress Patricia Neal, 38, Actor Albert Finney, 27, and Director Tony Richardson, 35, presented with the 1963 New York Film Critics' top awards for their work in Hud (Miss Neal) and Torn Jones...

Author: /time Magazine | Title: People: Jan. 24, 1964 | 1/24/1964 | See Source »

...Tate's keepers, or administrators, simply had to muddle through, and they did so brilliantly. By watching their purse, they developed shrewd eyesight. Two Henry Moore drawings that cost a paltry $18 apiece in the early 1940s would now fetch a hundred times that; two Giacometti oils, bought for $112 and $168, are now worth around $25,000 apiece...

Author: /time Magazine | Title: Art: Britain's Liveliest Museum | 1/10/1964 | See Source »

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