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Rooms at the Top. The big four are by no means the only places in Manhattan to buy a masterwork. For certain living masters-Miró, Giacometti or Balthus, for instance-the place to go is the gallery owned by Pierre Matisse, son of Painter Henri Matisse. The Perls Galleries represent Calder and Archipenko, and they do a reputable business in "painters of the Picasso generation" like Braque, Modigliani, Soutine and Utrillo. Catherine Viviano on East 57th Street is strong on modern Italians like Afro and Cremonini, but she also represents the surrealist Kay Sage and the estate...

Author: /time Magazine | Title: Art: Best Show in Town | 11/16/1962 | See Source »

Invitations went out to leading sculptors around the world to exhibit their work-not for prizes, but for the sheer satisfaction of showing them to a large audience out-of-doors, as ornaments for a beautiful town. Contributions came from Picasso, Arp, Armitage, Giacometti, Butler and dozens of others...

Author: /time Magazine | Title: Art: A Town Full of Sculpture | 8/24/1962 | See Source »

...notion that jewelry makers are not artists but artisans, London's 800-year-old Worshipful Company of Goldsmiths this month is showing the largest recent collection of fine jewelry. For every piece from Boucheron and Cartier, Harry Winston and Tiffany, there is a Calder, a Jean Arp, a Giacometti or a Picasso...

Author: /time Magazine | Title: Art: Artists or Artisans? | 11/17/1961 | See Source »

This theme of embarrassment with jewelry making is one that artists revel in. Jean Arp says: "I made my first 'jewel' in 1914. I wore it myself as a tiepin. It was my period of dandyism." Giacometti says his first clips and buttons were made "to earn some money" and that, in recent years, he has refused invitations to make some jewelry because he has not been able to "summon up enough interest...

Author: /time Magazine | Title: Art: Artists or Artisans? | 11/17/1961 | See Source »

Lonely Question Mark. Even more prestigious than Tobey is the top sculptor, Swiss-born Alberto Giacometti of Paris. Giacometti once declared that he wanted his figures to be "immense." But in working on them, he is almost always driven to whittling them down to emaciation, as if he were looking for some elusive essence inside one layer of flesh after another. His figures seem still to be searching for that essence long after they leave his studio, eternal and lonely question marks...

Author: /time Magazine | Title: Art: Pittsburgh Prizewinners | 11/3/1961 | See Source »

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