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Word: giacommetti (lookup in dictionary) (lookup stats)
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...dealt with subjects most French readers of his day found seedy at best: drag queens, hustlers, thieves, sailors having sex with each another. But he wrote these stories in a highly ornamental prose which dazzled readers and made him a friend of Jean-Paul Sartre, Jean Cocteau and Alberto Giacommetti. As the usually modest Genet put it in a moment of pride, "There was the French language and then there...

Author: By David S. Kurnick, | Title: Thief, Hustler, National Treasure | 12/2/1993 | See Source »

...list of artists redeems the show. From Picasso to Giacommetti to Klee to Miro, the assortment is a Whitman's Sampler of the finest art of the century, worth seeing no matter how it is exhibited...

Author: By Lois E. Nesbitt, | Title: A Tortured Tradition | 2/5/1980 | See Source »

Despite the Hall-of-Fame line up of artists in the show, the works of some of the big names are less than stellar. Alberto Giacommetti's sculpture "Walking Woman" has none of the impact of his more famous anorexic forms. The works of Miro, Gorky, Moore, and Brancusi are equally disappointing...

Author: By Lois E. Nesbitt, | Title: A Tortured Tradition | 2/5/1980 | See Source »

...images of falling men--symbolic protruding bellies on smooth, molded gold forms--are pleasing rhythmically but do little to encourage the viewer's further exploration. In contrast to Trova's rather redundant imagery, are such masterpieces as Picasso's Cubist Portrait of Wilhem Uhde, Miro's playful, surrealistic compositions, Giacommetti's unique delineation of space in portraits, and the Russian, Naum Gabo's eliptical construction of string and plastic...

Author: By Meredith A. Palmer, | Title: Some Pulitzers for the Fogg | 12/14/1971 | See Source »

Symphony, Opus 21, is one of Webern's more interesting pieces. It is far more sonorous than most, more relaxed, and is said to be one of the best examples of Webern's orchestration of silence. (It is sometimes said that he has done with silence what Giacommetti, according to Sartre, has done with empty space.) Anyway, the appeal is more an intellectual than an emotional one. At least, I didn't notice anyone break into tears...

Author: By Thomas C. Horne, | Title: The Harvard-Radcliffe Orchestra | 3/21/1966 | See Source »

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