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There is no more celebrated living art ist in Italy than Giacomo Manzù. At 60, he is renowned throughout Europe for his stately cardinals, his great bronze doors of St. Peter's in Rome, and his role as friend, confidant and portraitist of Pope John XXIII. It was altogether fitting, then, that this summer Manzù should become the only living Italian art ist to have a museum dedicated to his work alone...

Author: /time Magazine | Title: Museums: Monument for a Humanist | 8/15/1969 | See Source »

WHAT Ungaretti drew from the War was the peculiar knowledge of a "disabused modern consciousness," not d'Annunzio's heroic myth of the theatrical, but rather the awareness of anonymity and other sorrows. Influenced more by Giacomo Leopardi, the great Italian poet of the nineteenth century, and by Mallarmé, than by the aesthetic exigencies of his own age, Ungaretti shared with his close friends Apollinaire and the Fauvist Braque a profound despair over history's irrationality. But Apollinaire never survived the War, and those who did were so shattered and forlorn that their only response was that...

Author: NO WRITER ATTRIBUTED | Title: Giuseppe Ungaretti | 5/7/1969 | See Source »

...These good tidings were somewhat marred by word from Milan that Publisher Gian-giacomo Feltrinelli had forbidden the publication of Doctor Zhivago in Czechoslovakia on the grounds that he did not want the book, which has always been proscribed in Russia, to be used "as an instrument of anti-Soviet policy." Feltrinelli, who holds the copyright on the novel, has made a fortune selling Doctor Zhivago's book and movie rights around the world...

Author: /time Magazine | Title: Russia: Four New Works | 3/21/1969 | See Source »

There are wonderful drawings of all kinds in this show. The Degas chalk landscapes are very unusual--ephemeral, misty, and soft. Six Boucher studies are included, among them a wonderful study of hands, and a head by Bernini and one by Watteau. Contemporary drawings by Giacomo Porzano ("Man with a Cigarette") and Walt Kuhn ("Study for the painting 'Roberto'") are very stark and striking...

Author: By Betsy Nadas, | Title: Daniels Collection | 10/18/1968 | See Source »

...nature of parody than the very good one that appeared as preface to the anthology he was reviewing. And it is somehow endearing to know that the same hand that wrote The New Yorker's sane, knowledgeable review of James Joyce's recently discovered fragment Giacomo Joyce, also turned out the epic 1960 farewell to Ted Williams, Hub Fans Bid Kid Adieu...

Author: /time Magazine | Title: Authors: View from the Catacombs | 4/26/1968 | See Source »

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