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...PAUL GIAMATTI -- AMERICAN SPLENDOR...

Author: /time Magazine | Title: Great Performances | 1/19/2004 | See Source »

...Paul Giamatti is the very definition of the phrase "working actor," the kind of guy who does small parts in big pictures and looks forward to doing big parts in small pictures. Ever reliable, never anyone's idea of a movie star, he has soldiered for Steven Spielberg in Saving Private Ryan, played a character known as Pig Vomit in the Howard Stern biopic Private Parts and portrayed a cowardly orangutan in the remake of Planet of the Apes. So when he was approached to play Harvey Pekar in American Splendor, it seemed to be just business as usual--except...

Author: /time Magazine | Title: Great Performances | 1/19/2004 | See Source »

...novel and, says Giamatti, "intimidating" prospect. How many actors ever get to test their "interpretation" of a role against the real thing? But then he realized that the Pekar he was playing was "actually a character based on a character he had made of himself." Put simply, Giamatti didn't have to go looking for the real Harvey. It helped too that Pekar "seemed like he couldn't have cared less that they were making a movie about his life. It was like he came by for the free doughnuts and coffee," says Giamatti...

Author: /time Magazine | Title: Great Performances | 1/19/2004 | See Source »

That's something Giamatti, 36, never does. He's shy and literally self-effacing as an actor but fiercely committed to his craft. Married with a young son, he's a bookish, family-oriented private-school and Yale graduate and the son of the late A. Bartlett Giamatti, once Yale's president and Major League Baseball's commissioner...

Author: /time Magazine | Title: Great Performances | 1/19/2004 | See Source »

...triumph at Sundance a year ago, American Splendor is among the best-reviewed (deservedly so) movies of the year. Narratively splintered, full of hilarious, but homemade-looking special effects, it never sells out to sentimental uplift. Giamatti deftly walks the same line. He and Pekar share a physical resemblance--both are chubby, round-shouldered and balding--but he gives a performance that goes beyond mere impersonation. He infuses this cranky character with some of his own sweet tentativeness of spirit, giving Pekar an audience appeal that perhaps the more churlish original lacks. And he gives himself a problem. A self...

Author: /time Magazine | Title: Great Performances | 1/19/2004 | See Source »

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